Routledge Companion to the Study of Local Musicking

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Alexander M. Cannon
Andreas Otte
Andrew Mall
Bossa Nova
Brazilian Music
Brazilian Popular Music
Britta Sweers
Carol Silverman
Caroline Bithell
Category=AVA
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Category=JBCC1
Chris Goertzen
Christmas Bands
Coastal Music
Collective Musicking
community music
community music studies
Country Music
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
Erica Giesbrecht
Ernesto Donas
ethnic music
ethno
ethnomusicology
ethnomusicology research
Evandro Higa
Evanthia Patsiaoura
Fiona Magowan
Flute Band
Gabril Hoskin
Gianyar Regency
Gordon Ramsey
Hidden Musicians
High Fidelity Recording
Ioannis Tsioulakis
Jasper Chalcraft
Joanna Heath
Jonathan McIntosh
Katherine Brucher
Kjetil Klette Bohler
Laryssa Whittaker
Leonardo Augusto Cardoso de Oliveira
Lila Ellen Gray
local music
Local Music Culture
local music engagement case studies
Local Music Schools
Local Musical Practices
Local Musicking
locality
Lucia Reily
Mande Hunter
Marching Bands
Maria do Roso Pestana
Maria Mendonca
Michael O'Toole
music and identity formation
music studies
musical connections
musicking
musicking and locality
Nigerian Pentecostal
Noel Lobley
Participatory Musicking
participatory performance analysis
Pop Stars
qualitative fieldwork methods
Ray Casserly
Recent African Migrants
Reginaldo Gil Braga
Rose Satiko Gitirana Hikiji
Ruth Finnegan
Santiago De Cuba
Soldier's Joy
Soldier’s Joy
Southbank Centre
Sylvia Bruinders
Theodore L. Konkouris
Thomas Turino
transnational music networks
Vincenzo Cambria
world music
Young Men
Zhao Yuxing

Product details

  • ISBN 9781138920118
  • Weight: 1176g
  • Dimensions: 178 x 254mm
  • Publication Date: 19 Mar 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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WINNER OF THE 2019 SOCIETY OF ETHNOMUSICLOGY ELLEN KOSKOFF PRIZE FOR EDITED COLLECTIONS

The Routledge Companion to the Study of Local Musicking provides a reference to how, cross-culturally, musicking constructs locality and how locality is constructed by the musicking that takes place within it, that is, how people engage with ideas of community and place through music. The term "musicking" has gained currency in music studies, and refers to the diverse ways in which people engage with music, regardless of the nature of this engagement. By linking musicking to the local, this book highlights the ways in which musical practices and discourses interact with people’s everyday experiences and understandings of their immediate environment, their connections and commitment to that locality, and the people who exist within it. It explores what makes local musicking "local." By viewing musicking from the perspective of where it takes place, the contributions in this collection engage with debates on the processes of musicking, identity construction, community-building and network formation, competitions and rivalries, place and space making, and local-global dynamics.

Suzel A. Reily is Professor of Ethnomusicology at the Universidade de Campinas, Brazil, and previously worked at Queen’s University Belfast. She has published on several aspects of ethnomusicology. Her current research focuses on the music associated with vernacular Catholicism in southeastern Brazil.

Katherine Brucher is Associate Professor of Music at the DePaul University School of Music. She has published on folk and ethnic music in Chicago, Portuguese music, and global brass band traditions.