Routledge Companion to Theatre and Performance Historiography

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Aesthetic
archival research methods
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Category=AFKP
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Critical Indigenous Studies
cultural memory analysis
Danse Macabre
digital humanities approaches
Durational
Epistemology
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eq_history
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eq_isMigrated=2
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Globalization
Gotthold Ephraim Lessing
Historiographic Model
Historiographic Practice
historiography of global performance practices
Indigenous Performance
indigenous performance critique
IPTA
Konstantin Stanislavsky
media ecologies
Methodology
OED
Oral History
Parsi Theatre
Performance Analysis
performance historiography
performance studies
Performative
postcolonial performance
Praxis
Research
Sangeet Natak
Settler Colonial Critiques
Spatial
TDR
Temporal
Thea Brejzek
Theatre Historians
theatre historiography
Timeless
twenty-first century critical media history
VHS technology
Vice Versa
Wo
Younger Man

Product details

  • ISBN 9781138575516
  • Weight: 1360g
  • Dimensions: 174 x 246mm
  • Publication Date: 04 Aug 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Companion to Theatre and Performance Historiography sets the agenda for inclusive and wide-ranging approaches to writing history, embracing the diverse perspectives of the twenty-first century and Critical Media History.

Written by an international team of authors whose expertise spans a multitude of historical periods and cultures, this collection of fascinating essays poses the central question: "what is specific to the historiography of the performative?" The study of theatre, in conjunction with the wider sphere of performance, involves an array of multi-faceted methods for collecting evidence, interpreting sources, and creating meaning. Reflecting on issues of recording — from early modern musical scores, through VHS-technology to latest digital procedures — and on what is missing from records or oblique in practices, the contributors convey how theatre and performance history is integral to social and cultural relations.

This expertly curated collection repositions theatre and performance history and is essential reading for Theatre and Performance Studies students or those interested in social and cultural history more generally.

Tracy C. Davis is Barber Professor of Performing Arts at Northwestern University, USA.

Peter W. Marx is Chair of Theatre and Media Studies at the University of Cologne, Germany, and director of its Theaterwissenschaftliche Sammlung.