Routledge Companion to Theatre and Young People

Regular price €58.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
adolescent identity formation
american youth theatre
applied performance studies
Applied Theatre Praxis
australian drama
Category=ATDH
Clipped
Common Language
community theatre
Community Theatre Groups
Cosmic Kids Yoga
critical youth theatre pedagogy
Critical Youth Theatre Practice
development of youth theatre
Devised Theatre
Disengaged
Drama Curriculum
drama education theory
drama in secondary schools
drama youth
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Extracurricular
global theatre
Intermedial Theatre
Jungle Book
Latinx
Latinx Youth
LGBTQ Youth
newcomer
pandemic theatre
participatory theatre methods
Playback
political theatre
political utterance
postcolonial performance analysis
qualitative arts research
Rwanada performance
Rwanada theatre
Scotland's Youth Theatre
Scotland’s Youth Theatre
sex education and theatre
Shakespeare Youth Performance
Shakespeare Youth Performance Festivals
Singapore youth theatre
stage performance
Thailand youth theatre
the Jungle Book
theatre
theatre for young people
theatre in secondary schools
theatre pedagogy
theatre youth
Uganda performance
Uganda theatre
UN
USA
Virtual Reality
Young Men
Young People
Young People's Theatre
Young Theatre Maker
youth
Youth Arts
Youth Performance
Youth Performance Festivals
Youth Theatre
Youth Theatre Projects
Youth Theatre Work
Youth Voices

Product details

  • ISBN 9781032348865
  • Weight: 1060g
  • Dimensions: 174 x 246mm
  • Publication Date: 27 May 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people.

These different but interrelated forms of theatre are addressed through four critical themes that underpin the ways in which analysis of contemporary theatre in relation to young people can be framed: political utterances – exploring the varied ways theatre becomes a platform for political utterance as a process of dialogic thinking and critical imagining; critical positioning – examining youth theatre work that navigates the sensitive, dynamic, and complex terrains in which young people live and perform; pedagogic frames – outlining a range of contexts and programmes in which young people learn to make and understand theatre that reflects their artistic capacities and aesthetic strategies; applying performance – discussing a range of projects and companies whose work has been influential in the development of youth theatre within specific contexts.

Providing critical, research-informed, and research-based discussions on the intersection between young people, their representation, and their participation in theatre, this is a landmark text for students, scholars, and practitioners whose work and thinking involves theatre and young people.

Selina Busby is professor of applied and social theatre at The Royal Central School of Speech and Drama. Her research and practice focuses on theatre that invites the possibility of change. She is a researcher who uses participatory and emancipatory research methods with people living in adverse conditions, both in the UK and internationally. Recent publications include Applied Theatre: A Pedagogy of Utopia (2021).

Kelly Freebody is an associate professor in the Faculty of Arts and Social Sciences at the University of Sydney. Her research focuses on drama, applied theatre, social justice, creativity in education, and school-community relationships. Her teaching interests include drama pedagogy and critical perspectives in education. She is co-editor of the Applied Theatre Research Journal, and co-editor of the Routledge Learning Through Theatre series.

Charlene Rajendran is an associate professor at the National Institute of Education – Nanyang Technological University, Singapore. She is a theatre educator, researcher, and dramaturg whose interests include contemporary performance, play-based pedagogy, and arts leadership. She is currently the co-director of the Asian Dramaturgs’ Network.