Routledge Companion to Theatre-Fiction

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adaptation
autofiction analysis
Category=ATD
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Category=DSK
cultural intermediality
diegesis
ekphrasis
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fiction and theatre interaction
gender in literature
intermediality
literary modernism
mimesis
narrative theory
novel-studies
performance studies
performativity
theatre history
theatre-fiction
theatricality

Product details

  • ISBN 9781032562131
  • Weight: 840g
  • Dimensions: 178 x 254mm
  • Publication Date: 30 Jul 2025
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Novelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels’ pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia Woolf, and Margaret Atwood, some of history’s most influential novelists have written theatre-fiction, and this Companion discusses many of these figures from new angles. But it also spotlights writers who have received less critical attention, such as Dorothy Leighton, Agustín de Rojas Villandrando, Ronald Firbank, Syed Mustafa Siraj, Li Yu, and Vicente Blasco Ibañez, bringing their work into conversation with a vital field. A valuable resource for students, scholars, and admirers of both theatre and novels, The Routledge Companion to Theatre-Fiction offers a wealth of new perspectives on topics of increasing critical concern, including intermediality, theatricality, antitheatricality, mimesis, diegesis, and performativity.

Graham Wolfe is Associate Professor of Theatre and Performance Studies at the National University of Singapore. His monograph, Theatre-Fiction in Britain from Henry James to Doris Lessing, was published by Routledge in 2020, and his articles have appeared in journals including Modern Drama, Mosaic, Adaptation, and Performance Research.