Routledge Companion to World Cinema

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Alex Marlow-Mann
Anne Ciecko
Apichatpong Weerasethakul
Art Film
Asian Cinema
audiovisual distribution
Australasian Cinema
B-Film Birmingham
Belen Vidal
Caribbean Cinema
Carlos Reygadas
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Christopher E. Gittings
cinematic theory
contemporary filmmaking research
Cristian Mungiu
cross-cultural film analysis
David Craig
David Martin-Jones
Deborah Shaw
Dolores Tierney
Dunja Fehimovic
East Asian Cinema
Eastern European Cinema
Elzbieta Ostrowska
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European cinema
Felicity Gee
Film Festival
Film Festival Studies
film historiography
Geoff King
Ginette Vincendeau
global screen cultures
Hubert Bals Fund
Huw D. Jones
Ian-Malcolm Rijsdijk
independent filmmaking studies
International Film Festival Rotterdam
James Chapman
James Walters
Jeffrey Geiger
Jia Zhangke
Joanna Rydzewska
Jonathan Driskell
Jonathan Rayner
Karl Schoonover
Kate Ince
Kim Ki Duk
Latin American Cinema
Lucia Nagib
Lydia Papadimitriou
Madhuja Mukherjee
Marijke de Valck
Mark Goodall
Mette Hjort
national cinema
Niamh Thornton
Olof Hedling
Paolo Cherchi Usai
Paul Cooke
Paul Julian Smith
Regional Film Funds
Remapping World Cinema
Rithy Panh
Rosalind Galt
Sean Cubitt
Som Hatar Kvinnor
Stephanie Dennison
Stuart Cunningham
The Routledge Companion to Latin American Cinema
Transnational Cinema
UK's Vote
UK’s Vote
Virginia Crisp
Vito Zagarrio
Viviane Saglier
West Germany
Women Filmmakers
World Cinema
World Cinema Fund
Yingjin Zhang

Product details

  • ISBN 9780367581077
  • Weight: 1000g
  • Dimensions: 174 x 246mm
  • Publication Date: 30 Jun 2020
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted—often politically motivated—value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking.

Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies.

Paul Cooke is Centenary Chair of World Cinemas at the University of Leeds and the Director of the Centre for World Cinemas and Digital Cultures.

Stephanie Dennison is Chair of Brazilian Studies and a founding member of the Centre for World Cinemas and Digital Cultures at the University of Leeds.

Alex Marlow-Mann is Lecturer in Italian at the University of Kent.