Routledge Handbook of Art, Science, and Technology Studies

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activism
aesthetics
Art criticism
Art Science Collaboration
art-science
art-science world
Arts
Arts Catalyst
Category=AF
Category=JHB
Category=PDR
citizen science
Citizen Science Projects
commercialization
commodification
Common Language
CRISPR
Critical Art Ensemble
culture
curation
democracy
design research pedagogy
education
Energy Futures
epistemic practices
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
feminist ethics in science
Harvard Forest
historiography
Including Art Practice
Informal Science Education
Infrastructural Inversion
infrastructures
institution
interdisciplinary research methods
marginalization
MIT's Center
MIT’s Center
National Academy
neoliberal approach
performance studies theory
PinoneerWorks
plastic arts
political economies
power-structure
public art
Public Engagement
Responsibility Research and Innovation
science and technology
Science Communication Project
science studies
SLSA
social world
SRM Research
Storm Chaser
STS
STS Community
STS Perspective
STS Research
STS Researcher
STS Theory
STS Work
Synthetic Biology
transdisciplinary art science collaboration
Vice Versa
visual studies approaches

Product details

  • ISBN 9781138347304
  • Weight: 1100g
  • Dimensions: 174 x 246mm
  • Publication Date: 23 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Art and science work is experiencing a dramatic rise coincident with burgeoning Science and Technology Studies (STS) interest in this area. Science has played the role of muse for the arts, inspiring imaginative reconfigurations of scientific themes and exploring their cultural resonance. Conversely, the arts are often deployed in the service of science communication, illustration, and popularization. STS scholars have sought to resist the instrumentalization of the arts by the sciences, emphasizing studies of theories and practices across disciplines and the distinctive and complementary contributions of each. The manifestation of this commonality of creative and epistemic practices is the emergence of Art, Science, and Technology Studies (ASTS) as the interdisciplinary exploration of art–science.

This handbook defines the modes, practices, crucial literature, and research interests of this emerging field. It explores the questions, methodologies, and theoretical implications of scholarship and practice that arise at the intersection of art and STS. Further, ASTS demonstrates how the arts are intervening in STS. Drawing on methods and concepts derived from STS and allied fields including visual studies, performance studies, design studies, science communication, and aesthetics and the knowledge of practicing artists and curators, ASTS is predicated on the capacity to see both art and science as constructions of human knowledge- making. Accordingly, it posits a new analytical vernacular, enabling new ways of seeing, understanding, and thinking critically about the world.

This handbook provides scholars and practitioners already familiar with the themes and tensions of art–science with a means of connecting across disciplines. It proposes organizing principles for thinking about art–science across the sciences, social sciences, humanities, and arts. Encounters with art and science become meaningful in relation to practices and materials manifest as perceptual habits, background knowledge, and cultural norms. As the chapters in this handbook demonstrate, a variety of STS tools can be brought to bear on art–science so that systematic research can be conducted on this unique set of knowledge-making practices.

Hannah Star Rogers is a Visiting Scholar at the University of Edinburgh, where she researches the intersection of art and science.

Megan K. Halpern is an Assistant Professor in Lyman Briggs College at Michigan State University and a Scholar in Residence at MSU’s Center for Interdisciplinarity.

Kathryn de Ridder-Vignone is Faculty Senate Chair at the South Carolina Governor’s School for Science and Mathematics, where she teaches future engineers, from across the state, about the complexities of science, technology, and engineering in action.

Dehlia Hannah is Mads Øvlisen Postdoctoral Fellow in Art and Natural Sciences at the Department of Chemistry and Biosciences at Aalborg University and a Research Fellow of the Royal Danish Academy of Art and ARKEN Museum of Modern Art in Copenhagen.