Routledge Handbook of Indian Cinemas

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Ashis Nandy
Baiju Bawra
Bengali Cinema
Bhuvan Shome
Bollywood
Bollywood book
Bombay Cinema
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Cinema Halls
Dilwale Dulhaniya Le Jayenge
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Film
Film Song
Hindi Cinema
Hindi Film Industry
Hindi Film Music
Hindi Film Songs
Holy Men
Indian Cinema
Indian Film
Indian Popular Films
Kal Ho Na Ho
Kanan Devi
Komal Gandhar
NFDC.
Pather Panchali
Richard Allen film
South Asian Cinema
South Asian Film
Tamil Cinemas
Tamil Nadu
Wadia Movietone
Young Man
Zindagi Na Milegi Dobara

Product details

  • ISBN 9780415677745
  • Weight: 1006g
  • Dimensions: 174 x 246mm
  • Publication Date: 09 Apr 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey.

Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism.

The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.

K. Moti Gokulsing is Senior Visiting Research Fellow at the University of East London, UK. He is the co-founder and co-editor of the journal South Asian Popular Culture published by Routledge. His publications include Soft-Soaping India: the world of Indian televised soap operas (2004).

Wimal Dissanayake teaches in the Academy for Creative Media at the University of Hawaii, USA. He has published widely on Indian cinema, and is co-editor of Popular Culture in a Globalised India (Routledge 2009) with K. Moti Gokulsing.