Routledge Handbook of Shakespeare and Global Appropriation

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adaptation
appropriation
Arabic
Arabic Language
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contemporary Shakespeare adaptation research
Contemporary Social Justice Issues
digital
digital media adaptations
Django Unchained
Early Modern Race Studies
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ethics of literary adaptation
global justice
global justice in literature
Green Eyed Monster
Hamlet
handbook
Henri Iii
Ii Henry IV
intermedia performances
intermedia theatre research
Karolos Koun
King Richard III
MERS
minority scholarship in drama
Prospero's Books
Prospero’s Books
Richard III
screen
Shakespeare
Shakespeare's Richard III
Shakespearean Appropriation
Shakespearean appropriations
Shakespearean utopias
Shakespeare’s Richard III
South African Cultural History
Southwark Playhouse
stage
STI Testing
transcultural performance studies
transmedia performances
transnational
White Racial Frame
William Shakespeare
Young Man

Product details

  • ISBN 9781138050198
  • Weight: 1360g
  • Dimensions: 174 x 246mm
  • Publication Date: 18 Oct 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats. The thirty-nine chapters address topics such as trans- and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; and Shakespeare and global justice as guidance on how to approach the teaching of these topics.

This collection brings into dialogue three very contemporary and relevant areas: the work of women and minority scholars; scholarship from developing countries; and innovative media renderings of Shakespeare. Each essay is clearly and accessibly written, but also draws on cutting edge research and theory. It includes two alternative table of contents, offering different pathways through the book – one regional, the other by medium – which open the book up to both teaching and research.

Offering an overview and history of Shakespearean appropriations, as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic. It will be of use to anyone researching or studying Shakespeare, adaptation, and global appropriation.

Christy Desmet was Josiah Meigs Distinguished Professor at the University of Georgia in Athens, Georgia, USA, and co-general editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Sujata Iyengar is Professor of English at the University of Georgia in Athens, Georgia, USA, and co-founder and co-editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation.

Miriam Jacobson is Associate Professor of English at the University of Georgia in Athens, Georgia, USA.