Routledge Handbook of Women’s Work in Music

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Applied Ethnomusicology
BBC Concert Orchestra
BBC National Orchestra
BBC's Prom
BBC’s Prom
Category=AV
Category=JBCC
Category=JBSF
Chopin
DJ Culture
Drawing Room Ballads
Eastern art music
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eq_bestseller
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eq_music
eq_nobargain
eq_non-fiction
eq_society-politics
ethnomusicological analysis
ethnomusicology
Fanny Mendelssohn
Feis Ceoil
Female Composers
Female Conductors
Female DJ
Feminism
feminist musicology
Gender
gender inequality research
Gender Studies
music and business
Music and gender
music education
music industry
music pedagogy research
music performance studies
music profession leadership
music technology
National Academy
Nicola LeFanu
Nueva Trova
Pitch Class Set
popular music
Popular Music Higher Education
Queen's Hall
Queen’s Hall
Rhiannon Mathias
Routledge Handbooks
Schola Cantorum
Triple Harp
UK Music
Von Bingen
Welsh Music
Western art music
Women Composers
women in global music history
Women's & Gender History
Women's studies
Women's work
Women’s & Gender History
world music
Young Man

Product details

  • ISBN 9780367192099
  • Weight: 1020g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Handbook of Women’s Work in Music presents a unique collection of core research by academics and music practitioners from around the world, engaging with an extraordinarily wide range of topics on women’s contributions to Western and Eastern art music, popular music, world music, music education, ethnomusicology as well as in the music industries.

The handbook falls into six parts. Part I serves as an introduction to the rich variety of subject matter the reader can expect to encounter in the handbook as a whole. Part II focuses on what might be termed the more traditional strand of feminist musicology – research which highlights the work of historical and/or neglected composers. Part III explores topics concerned with feminist aesthetics and music creation and Part IV focuses on questions addressing the performance and reception of music and musicians. The narrative of the handbook shifts in Part V to focus on opportunities and leadership in the music professions from a Western perspective. The final section of the handbook (Part VI) provides new frames of context for women’s positions as workers, educators, patrons, activists and promoters of music.

This is a key reference work for advanced undergraduates, postgraduates and researchers in music and gender.

Rhiannon Mathias is a lecturer and music fellow at Bangor University, UK, and director of the International Conferences on Women’s Work in Music (2017, 2019, 2021, Bangor University).