Routledge International Handbook of the Sociology of Art and Culture

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Aboriginal Art Practices
Ad Astra
aesthetic judgement
aesthetics
art perception
Artistic Field
Bourdieu's Field Theory
Bourdieu's Legacy
bourgeoisie
Category=JHB
class
Contemporary Society
cosmopolitan cultural capital
cosmopolitanism
Country Music
cultural communication
cultural consumption
cultural production
Cultural Sociology
cultural stratification
Digital Sociology
distinction
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eq_nobargain
eq_non-fiction
eq_society-politics
ethnicity
Express Train
French Cultural Sociology
Gated Communities
global flows
globalisation in arts
habitus
highbrow culture
Homology Thesis
hybridity
Laurie Hanquinet
MCA
methodology
migration
Mike Savage
mixed-methods
music and diaspora
omnivore debate
Omnivore Thesis
performance
Pierre Bourdieu
Pop Stars
popular culture
qualitative
qualitative cultural methods
quantitive
relational approaches to cultural practices
Routledge Handbook of the Sociology of Art and Culture
Roy De Maistre
screen culture
Smart Phones
social mobility research
social networks
Sociology of Culture
Sociology of the Arts
space and culture
symbolic boundaries
taste
territorial power
Uppermiddle Classes
urban structure
Van Eijck
Vice Versa
visual culture analysis
West Germany
Wicker Park
Young Man

Product details

  • ISBN 9781138596399
  • Weight: 890g
  • Dimensions: 174 x 246mm
  • Publication Date: 25 Apr 2018
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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The Routledge Handbook of the Sociology of Arts and Culture offers a comprehensive overview of sociology of art and culture, focusing especially – though not exclusively – on the visual arts, literature, music, and digital culture. Extending, and critiquing, Bourdieu’s influential analysis of cultural capital, the distinguished international contributors explore the extent to which cultural omnivorousness has eclipsed highbrow culture, the role of age, gender and class on cultural practices, the character of aesthetic preferences, the contemporary significance of screen culture, and the restructuring of popular culture. The Handbook critiques modes of sociological determinism in which cultural engagement is seen as the simple product of the educated middle classes. The contributions explore the critique of Eurocentrism and the global and cosmopolitan dimensions of cultural life. The book focuses particularly on bringing cutting edge ‘relational’ research methodologies, both qualitative and quantitative, to bear on these debates. This handbook not only describes the field, but also proposes an agenda for its development which will command major international interest.

Laurie Hanquinet is a Lecturer in the Department of Sociology at the University of York. Her main fields of interest are sociology of culture and art as well as social sciences methodology. She has undertaken research on the visitors of modern and contemporary art museums, on the role of artists in the society and on different dimensions of cultural participation.

Mike Savage became Professor of Sociology at the LSE in September 2012, where he is active in leading the International inequalities Institute which began in 2015. Previously he was Professor at the University of Manchester, where he had been Director of the ESRC Centre for Research on Socio-Cultural Change (CRESC) from 2004 to 2010, and Professor at the University of York, where he founded the European Centre for Cultural Exploration from 2010-2012.