Routledge International Handbook of Visual Criminology

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Alison Young
Anne Worrall
Arkham Asylum
Avi Brisman
Brett Story
Carceral Geographies
Carceral Geography
Carceral Landscape
Carceral Space
Carceral State
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Cecile Van de Voorde
Chris Cunneen
Christine Graebsch
Crime and Media
Crime Films
Criminological Aesthetics
criminological theory
Cultural Criminology
Daniel LaChance
David Redmon
Documentary Filmmaking
Dominique Moran
Eamonn Carrabine
Eastern Kentucky
Eleanor Slee
Emotional Sensory Experiences
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Federal Reserve
Fergus McNeill
Gareth Millington
Graffiti
Gray Cavender
Green Criminology
Gwen Robinson
Human Suffering
Jacqueline Wilson
Jeff Ferrell
Jonathan Finn
Jonathan Simon
Jordan E. Mazurek
Judah Schept
Katherine Biber
Keith Hayward
Kishonna L. Gray
Letcher County
Lieve Gies
Lisa Wade
Luc Pauwels
Maggie O'Neill
Mark S. Hamm
media representations crime
Michael Fiddler
Nancy C. Jurik
Nicola Carr
Nicole Rafter
Nigel South
Paul Kaplan
penal institutions analysis
Phil Carney
Photoethnography
photographic evidence law
Photography
Popular Criminology
Public Criminology
Public Engagement
Ramon Spaaij
Representation
Ronnie Lippens
Sandra Walklate
Sarah Armstrong
Smart Phones
Social Media
Stephen Pfohl
Steven Kohm
Street Art
Thomas Giddens
Tony Kearon
Total State Spending
Travis Linnemann
Urban aesthetics
urban visual culture
Van De Voorde
Vice Versa
visual analysis criminal justice systems
Visual Criminology
Visual Culture
visual research methods
Wendy Fitzgibbon
Young Men
Yvonne Jewkes

Product details

  • ISBN 9781138888630
  • Weight: 1478g
  • Dimensions: 174 x 246mm
  • Publication Date: 21 Jun 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Dynamically written and richly illustrated, the Routledge International Handbook of Visual Criminology offers the first foundational primer on visual criminology. Spanning a variety of media and visual modes, this volume assembles established researchers whose work is essential to understanding the role of the visual in criminology and emergent thinkers whose work is taking visual criminology in new directions.

This book is divided into five parts that each highlight a key aspect of visual criminology, exploring the diversity of methods, techniques and theoretical approaches currently shaping the field:

• Part I introduces formative positions in the developments of visual criminology and explores the different disciplines that have contributed to analysing images.

• Part II explores visual representations of crime across film, graphic art, documentary, police photography, press coverage and graffiti and urban aesthetics.

• Part III discusses the relationship of visual criminology to criminal justice institutions like policing, punishment and law.

• Part IV focuses on the distinctive ethical problems posed by the image, reflecting on the historical development, theoretical disputes and methodological issues involved.

• Part V identifies new frameworks and emergent perspectives and reflects upon the distinctive challenges and limits that can be seen in this emerging field.

This book includes a vibrant colour plate section and over a hundred black and white images, breaking down the barriers between original photography and artwork, historic paintings and illustrations and modern comics and films. This interdisciplinary book will be of interest to criminologists, sociologists, visual ethnographers, art historians and those engaged with media studies.

Michelle Brown is Associate Professor of Sociology at the University of Tennessee, USA.

Eamonn Carrabine is Professor of Sociology at the University of Essex, UK.