Routledge Pantomime Reader

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Bird Catcher
Blackface Minstrelsy
Blue Beard
British cultural anxieties
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Corps De Ballet
Drury Lane
Drury Lane Pantomime
Drury Lane Theatre
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Fairy Tale
Forty Thieves
gender and race in entertainment
Glass Slipper
Golden Egg
Happy Land
Madame Vestris
Mother Goose
Nineteenth Century Pantomimes
nineteenth-century British pantomime research
Olympic Theatre
performance scripts annotation
popular performance studies
Principal Boy
ROBINSON CRUSOE
Sadler's Wells
Sadler’s Wells
stage spectacle analysis
Theatrical Licensing Act
Vauxhall Gardens
Victorian theatre history
Wonderful Lamp
Wood Nymphs
Yellow Dwarf
Young Man

Product details

  • ISBN 9780367444372
  • Weight: 1000g
  • Dimensions: 174 x 246mm
  • Publication Date: 31 Aug 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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The Routledge Pantomime Reader is the first anthology to document this entertainment genre—one of the most distinctive and ubiquitous in nineteenth-century Britain.

Across ten different shows, readers witness pantomime’s development from a highly improvisational venue for clowning, dance, and musical parody to a complex amalgamation of physical and topical comedy, stage wizardry, scenic spectacle, satire, and magical mayhem. Combining well-known tales such as "Cinderella", "Aladdin", and "Jack and the Beanstalk" with the lesser-known plotlines of "Peter Wilkins" and "The Prince of Happy Land", the book demonstrates not only how popular narratives were adapted to the current moment, but also how this blend of high and low entertainment addressed a whole range of social and cultural anxieties. Along with carefully annotated scripts, readers will find detailed introductions to all of the collected pantomimes and supplementary materials such as reviews, reminiscences, and a host of visual materials that bring these neglected entertainments to life.

The plays collected here provide a remarkable perspective on the history of sexuality, class, and race during a period of vast imperial expansion and important social upheaval in Britain itself—essential reading for students and scholars of theatre history and popular performance.

Jennifer Schacker is Professor in the School of English and Theatre Studies at the University of Guelph, Canada.

Daniel O’Quinn is a Professor in the School of English and Theatre Studies at the University of Guelph, Canada.