Rubble Music

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A01=Abby Anderton
Allied Air War
Allied Forces
American Sector
Author_Abby Anderton
Berlin
Berlin Philharmonic Orchestra
British Sector
Category=AVL
Category=NHD
Culture
Denazification
Destruction
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_music
eq_nobargain
eq_non-fiction
Europe
French Sector
German composers
Schmidt

Product details

  • ISBN 9780253042415
  • Dimensions: 152 x 229mm
  • Publication Date: 23 Jul 2019
  • Publisher: Indiana University Press
  • Publication City/Country: US
  • Product Form: Hardback
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As the seat of Hitler's government, Berlin was the most frequently targeted city in Germany for Allied bombing campaigns during World War II. Air raids shelled celebrated monuments, left homes uninhabitable, and reduced much of the city to nothing but rubble. After the war's end, this apocalyptic landscape captured the imagination of artists, filmmakers, and writers, who used the ruins to engage with themes of alienation, disillusionment, and moral ambiguity. In Rubble Music, Abby Anderton explores the classical music culture of postwar Berlin, analyzing archival documents, period sources, and musical scores to identify the sound of civilian suffering after urban catastrophe. Anderton reveals how rubble functioned as a literal, figurative, psychological, and sonic element by examining the resonances of trauma heard in the German musical repertoire after 1945. With detailed explorations of reconstituted orchestral ensembles, opera companies, and radio stations, as well as analyses of performances and compositions that were beyond the reach of the Allied occupiers, Anderton demonstrates how German musicians worked through, cleared away, or built over the debris and devastation of the war.

Abby Anderton is Assistant Professor of Music at Baruch College, City University of New York.

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