Rube Tube

Regular price €71.99
1940s
1950s
1960s
A01=Sara K. Eskridge
ABC
American
American Culture
American Exceptionalism
American Individualism
American Life
Andy Griffith
Andy Griffith Show
Author_Sara K. Eskridge
Beverly Hillbillies
Broadcast
broadcast history
Broadcasting
Broadcasting System
Category=ATJ
CBS
Civil Rights
Cold War
comedy
Communism
Communist
Communist Broadcasting
Congress
Country
Country Broadcasting
Cultural
Culture
Demographics
Economic
Economy
Entertaining
Entertainment
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Era
Eskridge
Gomer Pyle
Green Acres
Historians
History
Media
Mudsill Effect
Networks
Northern
Parenting Organizations
Petticoat Junction
Political
Politics
Portrayal
Programming
Programming Strategies
Programs
Quiz Shows
Ratings
Red Scare
Rube Tube
Rural
Rural Comedy
Rural Market
Rural Programming
Social
Southern
Television
Television History
Television Ratings
TV
U.S. Government
Urban
Urban Areas
Viewers
Western

Product details

  • ISBN 9780826221650
  • Weight: 536g
  • Dimensions: 152 x 229mm
  • Publication Date: 01 Jan 2019
  • Publisher: University of Missouri Press
  • Publication City/Country: US
  • Product Form: Hardback
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Historian Sara Eskridge examines television’s rural comedy boom in the 1960s and the political, social, and economic factors that made these shows a perfect fit for CBS. The network, nicknamed the Communist Broadcasting System during the Red Scare of the 1940s, saw its image hurt again in the 1950s with the quiz show scandals and a campaign against violence in westerns. When a rival network introduced rural-themed programs to cater to the growing southern market, CBS latched onto the trend and soon reestablished itself as the Country Broadcasting System. Its rural comedies dominated the ratings throughout the decade, attracting viewers from all parts of the country. With fascinating discussions of The Andy Griffith Show, The Beverly Hillbillies, Petticoat Junction, and other shows, Eskridge reveals how the southern image was used to both entertain and reassure Americans in the turbulent 1960s.
Sara K. Eskridge is an Adjunct Assistant Professor of History at Randolph Macon College. She lives in Quinton, Virginia.