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Rubens in Repeat - The Logic of the Copy in Colonial Latin America
Rubens in Repeat - The Logic of the Copy in Colonial Latin America
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A01=Aaron M. Hyman
abstract art
architecture
art
art collectors
art criticism
art education
art exhibitions
art history
artistic authorship
artistic expression
Austroseraphic Heavens
Author_Aaron M. Hyman
Baltasar de Echave Rioja
Baroque
Category=AGA
Category=AGZ
Catholic Reformation
Catholicism
colonial artwork
colonial Latin America
colonial painting
colonialism
copy
copying art
Counter-Reformation
creativity
Cristobal de Villalpando
cross cultural exchange
cultural exchange
Cuzco
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
European art
George Kubler
iconography
identity politics
indigenous
Italian Renaissance
Juan Rodriguez Juarez
Latin America
Marcos Rivera
master painter
masterpieces
Mexico
Mexico City
Miguel and Juan Gonzalez
New Spain
New World
Nicolas Rodriguez Juarez
Old World
painting
patron
Peru
print history
printmaking
prints
Puebla Cathedral
sculpture
Sebastian de Covarrubias
seventeenth century
Sor Juana Ines de la Cruz
Spanish Americas
Spanish Crown
Spanish Empire
the Andes
transatlantic authorship
Viceroyalty
Product details
- ISBN 9781606066867
- Weight: 666g
- Dimensions: 150 x 250mm
- Publication Date: 16 Nov 2021
- Publisher: Getty Trust Publications
- Publication City/Country: US
- Product Form: Hardback
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity.
Peter Paul Rubens (1577-1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist's designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects.
Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America-art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator."
Aaron M. Hyman is assistant professor in the Department of the History of Art at Johns Hopkins University.
Rubens in Repeat - The Logic of the Copy in Colonial Latin America
€72.99
