Rudolph Ganz, Patriotism, and Standardization of The Star-Spangled Banner, 1907-1958

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1907-1958 United States
A01=Iain Quinn
anthem performance practice
Author_Iain Quinn
Category=AVLA
Category=AVN
Category=AVP
Category=NHK
congressional hearings history
cultural assimilation
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
immigrant identity studies
Immigrant musicians
musicology research
patriotic music analysis
President Roosevelt
Rudolph Ganz
standardisation of national anthems
US National Anthem

Product details

  • ISBN 9781032554181
  • Weight: 540g
  • Dimensions: 138 x 216mm
  • Publication Date: 07 Nov 2023
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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This book examines the succession of events toward the potential standardization of the music for “The Star-Spangled Banner” from an initial letter to President Roosevelt in 1907 to the 1958 congressional hearings on the National Anthem, and the later work of the Swiss-Born American pianist, Rudolph Ganz. These events took place across five decades when a culture of public patriotism was especially pronounced for immigrant musicians. This book contextualizes the complementary experiences of a leading immigrant musician, Ganz, who successfully navigated the world of public patriotism while pursuing the realization of a standardized version. The materials are discussed through the lens of the performance practice.

The legacy of standardization has not previously been examined. The response and actions of an immigrant, Ganz, in a culture of necessary patriotism for foreign-born artists shed important new light on this topic. It demonstrates the challenges, fears, and cultural expectations regarding the standardization of an important patriotic work.

Iain Quinn is Professor of Organ and Coordinator of Sacred Music at Florida State University. He is also the author of The Development and Genesis of an English Organ Sonata (2017), The Organist in Victorian Literature (2017), and Music and Religion in the Writings of Ian McEwan (2023).

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