Running the Show

Regular price €186.00
1st AD
2nd AD
A01=Liz Gill
AD essentials
advanced film production scheduling
assistant directing
Author_Liz Gill
Background Action
Block Buster
Breakdown Sheet
Call Sheet
Call Time
Category=ATFX
Category=ATJX
crew scheduling techniques
DGA
directing
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Family Home
film crew management
film production
First AD
First assistant director
floor runner
Playback
POC
pre-production
production
Production Calendar
production department
production workflow
Sag Rule
Scene Numbers
scheduling
script
script analysis methods
script breakdown
Script Supervisor
set
set safety protocols
shooting schedule
shooting schedules
Stunt Coordinator
Stunt Double
Stunt Performers
Tech Scout
television production
test shoots
tricks-of-the-trade
TV production
Tv Project
Tv Show
UK System
Unit Call
Vice Versa
visual effects coordination
Weather Cover
Wrap Party

Product details

  • ISBN 9780367187361
  • Weight: 1100g
  • Dimensions: 191 x 235mm
  • Publication Date: 24 Sep 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Delivery/Collection within 10-20 working days

Our Delivery Time Frames Explained
2-4 Working Days: Available in-stock

10-20 Working Days: On Backorder

Will Deliver When Available: On Pre-Order or Reprinting

We ship your order once all items have arrived at our warehouse and are processed. Need those 2-4 day shipping items sooner? Just place a separate order for them!

Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between.

This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overtime and continuous days to balance a challenging schedule and get the most from the cast, crew and the shoot. This new edition has been fully updated and expanded throughout to provide up-to-date coverage on new equipment and software, health and safety considerations and the implications of VFX.

This is the essential guide to becoming a successful First Assistant Director, ideal for professional and aspiring AD’s seeking to further their career, students of directing and production looking to gain a better understanding of how this department works and anyone interested in film and TV production.

The accompanying eResources provide an expanded selection of sample call sheets, report templates, checklists, and other useful documents.

Liz Gill has been working as a First AD since 1994 for directors such as Barry Levinson, Todd Haynes, and Kevin Reynolds, working on widely seen films such as The Omen and Bloody Sunday. She studied at Columbia University and NYU before beginning her career as an assistant to Martin Scorsese. She then worked as an Assistant Director on non-union and studio films in New York City and Los Angeles before moving to Ireland, where she is one of the top First ADs in the country. Liz is also a Director, with feature credits Gold in the Streets and Goldfish Memory as well as TV work for the BBC, RTÉ, Starz, Encore and Hallmark, and she was most recently Producer of the feature film Tomato Red and Series 5 and 6 the TV series Vikings.