Ruptures and Continuities in Soviet/Russian Cinema
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Birgit Beumers
Boris Grebenshchikov
Boris Yukhananov
Category=ATF
Category=GTM
Category=JBCT
Category=JP
Category=NH
cinematic aesthetics analysis
Emily Schuckman Matthews
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EugE Zvonkine
evolution of Soviet film genres
film studies
Forgotten Melody
genre transformation
Georgii Daneliia
Hard Currency Prostitute
Iskusstvo Kino
Julian Graffy
Kira Muratova
Late Soviet Years
Leningrad Rock Club
Leonid Gaidai
Mark Lipovetsky
Mashina Vremeni
Natalija Majsova
Ostap Bender
Otto Boele
Parallel Cinema
Parallel Cinema Movement
Pavlik Morozov
perestroika era cinema
post-Soviet culture
Rita Safariants
Russian film history
Scientific Fantasy
Sergei Bezrukov
Soviet Cinema
Stanislavsky Drama Theatre
Stephen M. Norris
Tak Zhit
Timur Novikov
Vadim Abdrashitov
Victoria Donovan
Viktor Tsoi
Vladimir Vysotskii
Volha Isakava
Young Man
Product details
- ISBN 9781138675773
- Weight: 476g
- Dimensions: 156 x 234mm
- Publication Date: 21 Nov 2017
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
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This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in the new Russia. The book considers a wide range of films and film-makers and explores their attitudes to genre, character and aesthetic style. The individual chapters demonstrate that, whereas genres shifted and characters developed, stylistic choices remained largely unaffected.
Birgit Beumers is Professor of Film Studies at Aberystwyth University.
Eugénie Zvonkine is an Associate Professor of Cinema at the University of Paris 8.
