Ruth Asawa
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€62.99
art advocacy
Asian american
Black Mountain College
bronze cast
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Category=AGB
clay
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Japanese American
looped-wire
paintings
paperfolds
prints
public art
San Francisco
sculpture
sinuous
sketchbooks
tied-wire
Product details
- ISBN 9780300278859
- Dimensions: 238 x 324mm
- Publication Date: 25 Feb 2025
- Publisher: Yale University Press
- Publication City/Country: US
- Product Form: Hardback
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A landmark survey of the wide-ranging practice of one of the twentieth century’s most innovative artists
Best known for her sinuous looped-wire sculptures, Ruth Asawa (1926–2013) used everyday materials to create endlessly innovative works in a variety of media over her more than six-decade-long career, from her student days at the experimental Black Mountain College in the 1940s through her mature years in her adopted home city of San Francisco.
This extensively illustrated volume explores the astonishing expansiveness of Asawa’s work, from the abstract looped-wire sculptures for which she garnered national attention in the 1950s to her nature-inspired tied-wire pieces, clay and bronze casts, paperfolds, paintings, drawings, sketchbooks, and prints. The book explores the ways in which her longtime San Francisco home and garden served as the epicenter of her creative practice, and highlights the ethos of collaboration and inclusivity that informed her numerous public sculpture commissions and unwavering dedication to arts advocacy.
Essays and other writings consider Asawa and her work within the context of modern abstract sculpture, through the lens of craft and the materiality of wire, and in relation to her Asian American identity and her personal history as a Japanese American who was incarcerated with her family during World War II. Focus texts illuminate the connections between Asawa and key artistic figures such as Josef Albers, Imogen Cunningham, and R. Buckminster Fuller, with whom she maintained enduring relationships.
Published in association with the San Francisco Museum of Modern Art
San Francisco Museum of Modern Art
(April 5–September 2, 2025)
The Museum of Modern Art, New York
(October 19, 2025–February 7, 2026)
Guggenheim Museum Bilbao, Spain
(March 20–September 13, 2026)
Fondation Beyeler, Riehen/Basel, Switzerland
(October 18, 2026–January 24, 2027)
Best known for her sinuous looped-wire sculptures, Ruth Asawa (1926–2013) used everyday materials to create endlessly innovative works in a variety of media over her more than six-decade-long career, from her student days at the experimental Black Mountain College in the 1940s through her mature years in her adopted home city of San Francisco.
This extensively illustrated volume explores the astonishing expansiveness of Asawa’s work, from the abstract looped-wire sculptures for which she garnered national attention in the 1950s to her nature-inspired tied-wire pieces, clay and bronze casts, paperfolds, paintings, drawings, sketchbooks, and prints. The book explores the ways in which her longtime San Francisco home and garden served as the epicenter of her creative practice, and highlights the ethos of collaboration and inclusivity that informed her numerous public sculpture commissions and unwavering dedication to arts advocacy.
Essays and other writings consider Asawa and her work within the context of modern abstract sculpture, through the lens of craft and the materiality of wire, and in relation to her Asian American identity and her personal history as a Japanese American who was incarcerated with her family during World War II. Focus texts illuminate the connections between Asawa and key artistic figures such as Josef Albers, Imogen Cunningham, and R. Buckminster Fuller, with whom she maintained enduring relationships.
Published in association with the San Francisco Museum of Modern Art
San Francisco Museum of Modern Art
(April 5–September 2, 2025)
The Museum of Modern Art, New York
(October 19, 2025–February 7, 2026)
Guggenheim Museum Bilbao, Spain
(March 20–September 13, 2026)
Fondation Beyeler, Riehen/Basel, Switzerland
(October 18, 2026–January 24, 2027)
Janet Bishop is Thomas Weisel Family Chief Curator and Curator of Painting and Sculpture at the San Francisco Museum of Modern Art. Cara Manes is associate curator in the Department of Painting and Sculpture at the Museum of Modern Art, New York.
