Sacred and Secular Intersections in Music of the Long Nineteenth Century
Regular price
€45.99
A32=Bogumila Mika
A32=Callum Blackmore
A32=Chiara Bertoglio
A32=James A. Davis
A32=Joseph E. Morgan
A32=Joyce L. Irwin
A32=Matthew Hoch
A32=Thomas J. Kernan
Age Group_Uncategorized
Age Group_Uncategorized
automatic-update
B01=Eftychia Papanikolaou
B01=Markus Rathey
Category1=Non-Fiction
Category=AV
Category=AVC
Category=AVGD
Category=AVLK
Category=AVM
Category=HBT
Category=QRVJ1
COP=United States
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Kunstreligion
Language_English
PA=Available
Price_€20 to €50
PS=Active
romanticism
sacralization
secularization
softlaunch
symphony
Product details
- ISBN 9781666906066
- Weight: 576g
- Dimensions: 151 x 227mm
- Publication Date: 15 Mar 2024
- Publisher: Bloomsbury Publishing Plc
- Publication City/Country: US
- Product Form: Paperback
- Language: English
Secure
checkout
Fast Shipping
Easy returns
Sacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.
Eftychia Papanikolaou is associate professor of musicology at the College of Musical Arts at Bowling Green State University.
Markus Rathey is the Robert S. Tangeman Professor of Music History at Yale University and author of Theology, Music, and Modernity: Struggles for Freedom.
