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16th c
A01=Anna M. Nogar
A01=Arturo Balandrano Campos
A01=Gabriela Sanchez Reyes
A01=Gauvin Alexander Bailey
A01=James M. Cordova
A01=Mark A. White
A01=Montserrat A. Baez Hernandez
A01=Ray Hernandez-Duran
Author_Anna M. Nogar
Author_Arturo Balandrano Campos
Author_Gabriela Sanchez Reyes
Author_Gauvin Alexander Bailey
Author_James M. Cordova
Author_Mark A. White
Author_Montserrat A. Baez Hernandez
Author_Ray Hernandez-Duran
Category=AGA
Category=AGC
Category=AGR
Central America
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Mexican art
New Spain
religion
Sacred art
Worship imagery

Product details

  • ISBN 9781785516085
  • Dimensions: 204 x 280mm
  • Publication Date: 28 Aug 2025
  • Publisher: Scala Publishers Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Explore how sacred art evolved in early Mexico, adapting to local cultures and artistic traditions.

This beautifully illustrated book reveals the importance of saints in New Spain, a viceroyalty that was part of the Spanish Empire from 1521–1821, covering modern-day Mexico, Central America, and the US Southwest. In the late sixteenth century, Rome’s attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico, and circulated within the vast territory as images or print, then to be transformed by New Spain’s own communities. Drawing on collections from Mexico and the United States, this book examines the role of images in the construction of the holy: these paintings, sculptures, and engravings routinely used to propagate, celebrate, and venerate saintly figures, and used in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long, revered tradition that continues in the work of New Mexico’s santero artists today.

Cristina Cruz González is an art historian, curator, and educator. She received her PhD in art history from the University of Chicago and is a specialist in the visual culture of Latin America. She is an Associate Professor of Art History at Oklahoma State University. 

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