Salman Rushdie in the Cultural Marketplace

Regular price €45.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Ana Cristina Mendes
author as public intellectual
Author_Ana Cristina Mendes
Black Culture Industry
Boyle's Film
Boyle’s Film
Category=DSB
Category=DSBH
Category=DSK
Category=JHM
Category=NHB
Category=NHTQ
children
creative industries research
Dark India
Dhobi Ghat
Diasporic South Asian Films
eq_bestseller
eq_biography-true-stories
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
global
global publishing industry
Kaun Banega Crorepati
Le Tout
literary
literary marketplace studies
media and literature interface
Midnight's Children
midnights
Midnight’s Children
Modern Indian Literature
Nadine Gordimer
Ormus Cama
Pather Panchali
Picador Book
postcolonial authors in global markets
postcolonial cultural production
Postcolonial Exotic
Raj Revival
Rock Music
Ruby Slippers
Rushdie's Work
rushdies
Rushdie’s Work
satanic
shakespeare
Shakespeare Wallah
Slum Tourism
Slumdog Millionaire
Tightrope Walker
verses
wallah
White Tiger
work
Young Man

Product details

  • ISBN 9781138253476
  • Weight: 380g
  • Dimensions: 156 x 234mm
  • Publication Date: 26 Aug 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
Taking up the roles that Salman Rushdie himself has assumed as a cultural broker, gatekeeper, and mediator in various spheres of public production, Ana Cristina Mendes situates his work in terms of the contemporary production, circulation, and consumption of postcolonial texts within the workings of the cultural industries. Mendes pays particular attention to Rushdie as a public performer across various creative platforms, not only as a novelist and short story writer, but also as a public intellectual, reviewer, and film critic. Mendes argues that how a postcolonial author becomes personally and professionally enmeshed in the dealings of the cultural industries is of particular relevance at a time when the market is strictly regulated by a few multinational corporations. She contends that marginality should not be construed exclusively as a basis for understanding Rushdie’s work, since a critical grounding in marginality will predictably involve a reproduction of the traditional postcolonial binaries of oppressor/oppressed and colonizer/colonized that the writer subverts. Rather, she seeks to expand existing interpretations of Rushdie’s work, itineraries, and frameworks in order to take into account the actual conditions of postcolonial cultural production and circulation within a marketplace that is global in both orientation and effects.
Ana Cristina Mendes, PhD, is a researcher at the University of Lisbon Centre for English Studies (CEAUL/ULICES), Portugal.

More from this author