A01=Ong Puay Khim
appropriation
Art
artistic process
Author_Ong Puay Khim
Category=AGC
Category=AT
contemporary art
cultural hybridity
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
experimental art
postmodernism
remix culture
Southeast Asia
visual culture
Product details
- ISBN 9789811872938
- Dimensions: 156 x 234mm
- Publication Date: 24 May 2024
- Publisher: National Gallery Singapore
- Publication City/Country: SG
- Product Form: Paperback
Secure
checkout
Fast Shipping
Easy returns
This publication for the exhibition SAM Contemporaries: Residues & Remixes contextualises the curatorial approach and featured artistic practices and expands on the ideas explored in the show.
Expanding on ideas explored by the artworks in the exhibition SAM Contemporaries: Residues & Remixes, this publication contextualises the show’s curatorial approach and the featured artistic practices through documentation, field-notes, scholarly essays, speculations and conversations of various forms (and formalities) between artists and curators.
Ong Puay Khim is Deputy Director, Collections and Public Art at
Singapore Art Museum where she oversees the museum’s collection
and leads the public art initiative, The Everyday Museum, a platform
for creative production and experimentation in the public sphere
(www.theeverydaymuseum.sg). At SAM, she has curated exhibitions
CosmicWander: Expedition by Choy Ka Fai (2021), Lila: Unending Play by
Jane Lee (2023) and co-curated Can Everybody See My Screen? (2022).
Ong was previously Deputy Director of Curatorial Programmes at NTU
Centre for Contemporary Art Singapore (2016–2019) and was part of
the curatorial team of Escape Routes, Bangkok Art Biennale 2020.
Teng Yen Hui is Collections Manager and Assistant Curator at the Singapore
Art Museum. Prior to taking on curatorial work at the museum, she worked
independently on several writing projects and exhibitions. Her recent
curatorial projects include SAM Contemporaries: Residues & Remixes(2023),
Port/raits of Tanjong Pagar (2023), Can Everybody See My Screen?(2022),
and not the norm: on conjugal blisses and misses (2018). Teng holds a BSc
in Economics from the Singapore Management University and an M.A. in
Asian Art Histories conferred by Goldsmiths, University of London (LASALLE).
Her research interests include queer visual cultures, performative practices,
and more-than-human knowledges in Asia.
Syaheedah Iskandar is Assistant Curator at Singapore Art Museum. She
works with vernacular ideas of seeing, thinking, and being. Drawing from
Southeast Asia’s visual culture(s), she is interested in the entanglements
between the unseen, the hypervisual, and their translations from material
to new media practices. She holds an MA in History of Art and Archaeology
from the School of Oriental and African Studies (SOAS), University of London.
