Samuel Beckett's Krapp's Last Tape

Regular price €248.00
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
A01=Daniel Sack
actor training resource
Author_Daniel Sack
ball
Beckett
Beckett's Art
Beckett's Plays
Beckett's Writing
Beckettian Characters
becketts
Beckett’s Art
Beckett’s Plays
Beckett’s Writing
between
black
Category=ATD
characters
dark
Dense
Dim
Dingle
Dublin's Gate Theatre
Dublin’s Gate Theatre
Effi Briest
En Attendant Godot
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
Evergreen
Evergreen Review
Follow
Glare
Holds
impromptu
Irish Drama
light
Lighthouse
Malone Dies
memory studies in theatre
Michael Gambon
modernist drama
Nobel
ohio
Ohio Impromptu
performance analysis for theatre students
Performative Writing
Pinter
plays
Prepping
Proleptic
Small Attention
solo performance analysis
stagecraft techniques
Timeless
twentieth-century dramaturgy
Voluntary Memory
Wander
Young Man

Product details

  • ISBN 9781138418110
  • Weight: 310g
  • Dimensions: 129 x 198mm
  • Publication Date: 13 Jul 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

"We lay there without moving. But under us all moved, and moved us." - Krapp

Samuel Beckett‘s most accessible play is also one of the twentieth century‘s most moving dramas about aging, memory, and disappointment. Daniel Sack offers the first comprehensive survey of Krapp‘s Last Tape (1958) with a general reader in mind.

Structured around a series of questions, five approachable sections contextualize the play in the larger career of its Nobel-Prize-winning writer, explore its major thematic concerns, and offer comparative analyses with Beckett‘s other signal works. Sack also uses discussions of significant productions, including those directed by the playwright himself, to ground interpretation of the play in terms of its performance and provide a useful resource to directors and actors.

Both a critical and personal exploration of this haunting play, this volume is a must-read for anyone with an interest in Beckett‘s work.

Daniel Sack is Assistant Professor in the English Department and Commonwealth Honors College at the University of Massacusetts Amherst.

More from this author