Santería Enthroned

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A01=David H. Brown
African Diaspora
African Gray Parrot
Afro-Atlantic religions
Afro-Cuban Religion
Afro-Cuban religious innovation case studies
Afro-Cuban Santeria
Afro-Cuban Society
Art
Author_David H. Brown
Caba-Templo
Cabildo De
Cabildo de Nacion
Canopied Thrones
Carlos III
Category=JBCC
Category=JHM
Category=QRRN
Colonial-Era Cuba
Cuba
Cuban Palace
Cultural Anthropology
cultural anthropology Cuba
Cultural Authenticity
Cultural History
De Santo
Del Medio
El Cerro
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
ethnographic fieldwork
Feather Boa
Fly Whisk
Guardian Angel
Havana
Iconographies in Nineteenth Century Havana
Iconography
Innovation
La Mulata
La Regia De
Matanzas
Middle Day
Mo Tives
Modern Cuban Cultural History
Modern Cuban History
Museo Nacional De Bellas Artes
New Lucumi
Nineteenth Century
Nineteenth Century Havana
Oba Lucumi
Ocha Initiation
Performer's Innovations
Performer’s Innovations
Religion
Religious Symbols
religious syncretism
Ritual
Ritual Field
ritual iconography
Santeria
Santeria Belief
Santeria Practice
Santiago De Cuba
Soup Tureens
Yoruba
Yoruba diaspora studies
Yoruba Kingdoms
Young Man

Product details

  • ISBN 9780367321758
  • Weight: 1000g
  • Dimensions: 216 x 234mm
  • Publication Date: 30 Jun 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Ever since its emergence in colonial-era Cuba, Afro-Cuban Santería (or Lucumí) has displayed a complex dynamic of continuity and change in its institutions, rituals, and iconography. Originally published in 2003 Santería Enthroned combines art, history, cultural anthropology, and ethnohistory to show how Africans and their descendants have developed novel forms of religious practice in the face of relentless oppression. Focusing on the royal throne as a potent metaphor in Santería belief and practice it shows how negotiations among ideologically competing interests have shaped the religion’s symbols, rituals, and institutions from the nineteenth century to the present. Rich case studies of change in Cuba and the United States, including a New Jersey temple and South Carolina’s Oyotunji Village, reveal patterns of innovation similar to those found among rival Yoruba kingdoms in Nigeria. Throughout, the book argues for a theoretical perspective on culture as a field of potential strategies and "usuable pasts" that actors draw upon to craft new forms and identities – a perspective that will be invaluable to all students of the African Diaspora.

David H. Brown

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