Sarah Lucas
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A02=Amy Emmerson Martin
A02=Lauren Elkin
A02=Louisa Buck
A02=Nathalie Olah
Age Group_Uncategorized
Age Group_Uncategorized
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B01=Dominique Heyse-Moore
British art
Category1=Non-Fiction
Category=AGB
COP=United Kingdom
Delivery_Delivery within 10-20 working days
eq_art-fashion-photography
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eq_isMigrated=0
eq_isMigrated=2
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feminist art
feminist artist
gender
installation art
Language_English
PA=Available
photography
Price_€20 to €50
PS=Active
Sarah Lucas
satirical art
sculpture art
sex
softlaunch
Young British Artists 1990s
Product details
- ISBN 9781849768924
- Dimensions: 219 x 290mm
- Publication Date: 28 Sep 2023
- Publisher: Tate Publishing
- Publication City/Country: GB
- Product Form: Paperback
- Language: English
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Sarah Lucas is an internationally celebrated artist known for the provocative use of materials and imagery in her work. Incorporating ordinary objects in unexpected ways, she has consistently challenged our understandings of sex, class and gender over the last four decades.
Looking beyond the generation of 1990s Young British Artists during which Lucas emerged, this visually stunning exhibition book invites the public to marvel at the diversity of her work across sculpture, installation and photography. Featuring an artist interview with Louisa Buck, new texts by writers Lauren Elkin and Nathalie Olah and a new poem by the artist Cerith Wyn Evans, Happy Gas is a brash, tender and boundary-breaking exploration of what makes us human.
Dominique Heyse-Moore is Senior Curator, Contemporary British Art at Tate Britain. Louisa Buck is a writer and broadcaster on contemporary art.
Lauren Elkin is a writer and translator, most recently the author of No. 91/92: a diary of a year on the bus and the UK translator of Simone de Beauvoir's previously unpublished novel The Inseparables.
Flâneuse: Women Walk the City was a finalist for the 2018 PEN/Diamonstein-Spielvogel Award for the Art of the Essay, a New York Times Editor’s Choice and a Notable Books of 2017, a Radio 4 Book of the Week, and a best book of 2016 by the Guardian, the Financial Times, the New Statesman, and the Observer. It is being translated into nine languages.
Amy Emmerson Martin is Contemporary Curator at the National Portrait Gallery. Prior to this, she was Assistant Curator of Contemporary British Art at Tate and focused on the museum’s exhibitions, collection displays, and acquisitions. She was the Co-Curator of Turner Prize 2024 and curator of Art Now programming, including Steph Huang, Zeinab Saleh and Hannah Quinlan & Rosie Hastings. Amy worked in the curatorial department at Tate Modern where she curated displays of the work of international artists including Patricia Belli and Sharon Hayes and was part of the curatorial team responsible for displays centred on the sculpture of Jimmie Durham, the video installation of Shirin Neshat and the textile installation of Cecilia Vicuña. She holds a BA in Art History and an MA in Art History, both from The Courtauld Institute of Art, London. Nathalie Olah is an author with an interest in class and propaganda. Her books include Bad Taste (Dialogue Books, 2023) an exploration of the intersection between consumerism, class, desire and power; Look Again: Class (Tate Publishing, 2021) and Steal As Much As You Can (Repeater Books, 2019). Her writing has been published widely in periodicals including ArtReview, The Guardian, Tribune, Jacobin and The Times Literary Supplement.
