Sargent, Whistler, and Venetian Glass

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A32=Brittany Emens Strupp
A32=Crawford Alexander Mann
A32=Diana Jocelyn Greenwold
A32=Melody Barnett Deusner
A32=Sheldon Barr
A32=Stephanie Mayer Heydt
Age Group_Uncategorized
Age Group_Uncategorized
Antonio Salviati
Art glass
Art Nouveau
automatic-update
B01=Crawford Alexander Mann
Bernardo Bertolucci
Bobbin lace
Brocade
Burano
Ca' d'Oro
Cameo appearance
Candelabra
Capri
Category1=Non-Fiction
Category=ACV
Category=AFP
Category=AFT
Category=AGA
Category=BGF
Category=DNBF
Chalcedony
Chandelier
Charles Lewis Tiffany
Chrysanthemum
Church of San Giorgio Maggiore
Color scheme
Commensalism
COP=United States
Delivery_Delivery within 10-20 working days
Dwight William Tryon
El Jaleo
eq_art-fashion-photography
eq_bestseller
eq_biography-true-stories
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Estuary
Filippo Tommaso Marinetti
Flagon
Fondazione Musei Civici di Venezia
Frank Duveneck
Frond
Glass Flowers
Glass production
Glass tile
Hand fan
Hubert Howe Bancroft
Illustration
Institution
James Abbott McNeill Whistler
Jean-Baptiste-Camille Corot
John La Farge
John Singer Sargent
Kenyon Cox
Language_English
Masterpiece
Maud Franklin
Menai Bridge
Metropolitan Museum of Art
Millefiori
Murano
Murano glass
Murrine
Narrative
PA=Available
Pennsylvania Academy of the Fine Arts
Phyllis Calvert
Pigment
Powell and Pressburger
Price_€50 to €100
PS=Active
Pumice
Renwick Gallery
Rococo
Romeyne Robert Ranieri di Sorbello
Seascape
Sediment
Seguso
Smithsonian American Art Museum
Smithsonian Institution
softlaunch
Stanford University
Tintoretto
Vase
Venetian glass
Venetian Gothic architecture
Venice
Victorian painting
Watercolor painting
William K. Everson
Window

Product details

  • ISBN 9780691222677
  • Dimensions: 229 x 305mm
  • Publication Date: 14 Dec 2021
  • Publisher: Princeton University Press
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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How Venetian glass influenced American artists and patrons during the late nineteenth century

Sargent, Whistler, and Venetian Glass presents a broad exploration of American engagement with Venice’s art world in the late nineteenth century. During this time, Americans in Venice not only encountered a floating city of palaces, museums, and churches, but also countless shop windows filled with dazzling specimens of brightly colored glass. Though the Venetian island of Murano had been a leading center of glass production since the Middle Ages, productivity bloomed between 1860 and 1915. This revival coincided with Venice’s popularity as a destination on the Grand Tour, and resulted in depictions of Italian glassmakers and glass objects by leading American artists. In turn, their patrons visited glass furnaces and collected museum-quality, hand-blown goblets decorated with designs of flowers, dragons, and sea creatures, as well as mosaics, lace, and other examples of Venetian skill and creativity.

This lavishly illustrated book examines exquisitely crafted glass pieces alongside paintings, watercolors, and prints of the same era by American artists who found inspiration in Venice, including Thomas Moran, Maria Oakey Dewing, Robert Frederick Blum, Charles Caryl Coleman, Maurice Prendergast, and Maxfield Parrish, in addition to John Singer Sargent and James McNeill Whistler. Italian glass had a profound influence on American art, literature, and design theory, as well as the period’s ideas about gender, labor, and class relations. For artists such as Sargent and Whistler, and their patrons, glass objects were aesthetic emblems of history, beauty, and craftsmanship.

From the furnaces of Murano to American parlors and museums, Sargent, Whistler, and Venetian Glass brings to life the imaginative energy and unique creations that beckoned tourists and artists alike.

Published in association with the Smithsonian American Art Museum

Exhibition Schedule
Smithsonian American Art Museum, Washington, DC
October 8, 2021–May 8, 2022

Amon Carter Museum of American Art, Fort Worth, Texas
June 25–September 11, 2022

Crawford Alexander Mann III is curator of prints and drawings at the Smithsonian American Art Museum in Washington, DC. Sheldon Barr is an independent scholar of Venetian revival glass. Melody Barnett Deusner is associate professor of art history at Indiana University Bloomington. Diana Jocelyn Greenwold is curator of American art at the Portland Museum of Art in Maine. Stephanie Mayer Heydt is the Margaret and Terry Stent Curator of American Art at the High Museum of Art in Atlanta, Georgia. Brittany Emens Strupp is a doctoral candidate in art history at Temple University.