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A01=Matthew Hodgart
allegory in literature
Anti-feminist Satire
aphorism techniques
Author_Matthew Hodgart
Brian A. Connery
Carrion Crow
Category=CB
Category=JHB
Chaucer's Wife
cross-cultural satire studies
De La Cour
drapiers
Duck
Epistolae Obscurorum Virorum
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
fable narrative forms
Fairy Tales
Follow
Formal Satire
George III
Good Life
In-fighting
Jean De Meung
Les Quinze Joies De Mariage
Les Tragiques
literary
Literary Satire
literary subgenres examination
Luis Bunuel
Matthew Hodgart
Moliere
Persona
Political Satire
satire techniques in Western literature
satirical literature analysis
Thomas Pynchon
Universal Visual Language
Wild Duck
Winnebago Trickster
Young Man

Product details

  • ISBN 9781138532205
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 20 Sep 2017
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Satire, according to Jonathan Swift, is a mirror where beholders generally discover everybody's face but their own. and over twenty-four centuries the mirror of satirical literature has taken on many shapes. Yet certain techniques recur continually, certain themes are timeless, and some targets are perennial. Politics (the mismanagement of men by other men) has always been a target of satire, as has the war between sexes.

The universality of satire as a mode and creative impulse is demonstrated by the cross-cultural development of lampoon and travesty. Its deep roots and variety are shown by the persistence of allegory, fable, aphorism, and other literary subgenres. Hodgart analyzes satire at some of its most exuberant moments in Western literature, from Aristophanes to Brecht. His analysis is supplemented by a selection and discussion of prints and cartoons.

Satire continues to help us make sense of the conventions that seem to have been almost genetically transmitted from their satiric ancestors to our digital contemporaries. This is especially evident in Hodgart's repeated references to satire's predilection for the ephemeral, for camouflaging itself among the everyday, for speaking to the moment, and thus for integrating itself as deeply as possible into society. Brian Connery's new introduction places Hodgart's analysis in its proper place in the development of twentieth-century criticism.

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