Savages, Romans, and Despots

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A01=Robert Launay
ancient world
anthropology
art
Author_Robert Launay
Category=JHMC
Category=NHD
china
civilization
classicism
confucius
despots
diderot
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
exoticism
foreign
gibbon
government
herder
history
identity
jesuits
lahontan
mandeville
millar
missionaries
montaigne
montesquieu
morality
nonfiction
orientalism
othering
philosophy
politics
power
religion
rousseau
savage
superiority
tyranny
white supremacy

Product details

  • ISBN 9780226575254
  • Weight: 482g
  • Dimensions: 16 x 23mm
  • Publication Date: 12 Oct 2018
  • Publisher: The University of Chicago Press
  • Publication City/Country: US
  • Product Form: Hardback
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From the sixteenth to the eighteenth centuries, Europeans struggled to understand their identity in the same way we do as individuals: by comparing themselves to others. In Savages, Romans, and Despots, Robert Launay takes us on a fascinating tour of early modern and modern history in an attempt to untangle how various depictions of “foreign” cultures and civilizations saturated debates about religion, morality, politics, and art.
 
Beginning with Mandeville and Montaigne, and working through Montesquieu, Diderot, Gibbon, Herder, and others, Launay traces how Europeans both admired and disdained unfamiliar societies in their attempts to work through the inner conflicts of their own social worlds. Some of these writers drew caricatures of “savages,” “Oriental despots,” and “ancient” Greeks and Romans. Others earnestly attempted to understand them. But, throughout this history, comparative thinking opened a space for critical reflection. At its worst, such space could give rise to a sense of European superiority. At its best, however, it could prompt awareness of the value of other ways of being in the world. Launay’s masterful survey of some of the Western tradition’s finest minds offers a keen exploration of the genesis of the notion of “civilization,” as well as an engaging portrait of the promises and perils of cross-cultural comparison.

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