Scattered Steel

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911 memorialization
A01=Max Holleran
A01=Samuel Holleran
American memorial practices
Author_Max Holleran
Author_Samuel Holleran
Category=AMG
Category=NHK
commemorative sculpture
cultural afterlife of objects
decentralized memorial networks
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
forthcoming
grassroots memorials
local memorials
material culture of memory
memory studies
post-911 art
public art and trauma
relics vs refuse
spatialization of grief
vernacular commemoration
World Trade Center steel
WTC artifacts

Product details

  • ISBN 9781501790096
  • Dimensions: 152 x 229mm
  • Publication Date: 15 Aug 2026
  • Publisher: Cornell University Press
  • Publication City/Country: US
  • Product Form: Hardback
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How do we remember a seering event that left so little behind?

Scattered Steel traces the extraordinary journey of the twisted remnants of the World Trade Center. When the Towers fell on September 11, 2001, nearly all that remained was pulverized concrete and contorted steel. Samuel and Max Holleran investigate how fragments of these skyscrapers became modern relics, scattered across all fifty states and beyond, built into hundreds of local memorials in firehouses, parks, and plazas, providing new and creative ways to grieve and remember.

Drawing on years of research and interviews with artists, city officials, and first responders, the authors reveal a semi-improvised process that transformed industrial debris into sacred objects. They explore the aesthetics of rust and ruin, the rituals of transport and dedication, and the cultural tensions between grief, patriotism, and public art. From a quiet town square in Wyoming to a monumental glass "book" in Padua, Italy, these memorials tell a story not only of loss but of how communities far from Ground Zero took a piece of the tragedy – and made it their own.

At once deeply human and sharply analytical, Scattered Steel asks urgent questions: What does it mean to sanctify matter? How do memorials shape collective memory in an age of global, and highly visual, trauma? And what happens when the symbols of tragedy become part of everyday landscapes?

Samuel Holleran is a researcher, writer, and public artist who has worked with design firms, universities, and nonprofits in North America, Australia, and Europe.

Max Holleran is Senior Lecturer of Social Policy at University of Melbourne and author of Yes to The City.

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