Scene of the Mass Crime

Regular price €58.99
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
atrocity trial documentation
Bush Presidential Library
Category=JBCT
Civil Party
Civil Party Lawyers
Co-investigating Judges
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
filmed war crimes tribunal research
Firemen
Gacaca Process
Gacaca Trial
genocide legal analysis
Hu Jie
International Humanitarian Law
Jiang Qing
Khmer Rouge Official
Khmers Rouges
Linda Mills
Mao Zedong
Maurice Papon
NYU Press
Offutt Air Force Base
Oral Proceedings
Papon Trial
post-conflict reconciliation law
Raion Center
Roland Freisler
Rwandese Patriotic Front
transitional justice studies
trauma and collective memory
Trial Chamber
Vietnam's People Army
visual evidence in court
Wang Hongwen

Product details

  • ISBN 9780415688956
  • Weight: 408g
  • Dimensions: 156 x 234mm
  • Publication Date: 12 Nov 2012
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns

The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film.

Peter Goodrich is Professor of Law and Director of the Program in Law and Humanities, Cardozo School of Law, New York. He has authored ten books on legal theory, psychoanalysis, law and the visual. Christian Delage is a professor at the University of Paris 8. He also teaches at the École des hautes études en sciences sociales and at Sciences Po Paris, and is a regular professor at the Benjamin N. Cardozo School of Law.