Schenkerian Analysis

Regular price €210.80
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=David Beach
advanced undergraduate music theory
Antecedent Consequent Pair
Antecedent Phrase
Augmented Sixth Chord
Author_David Beach
Beethoven's Piano Sonata Op
Beethoven’s Piano Sonata Op
Category=AVA
Category=AVLA
classical form pedagogy
Consequent Phrase
Descending Arpeggiation
Descending Tetrachord
Diminished Seventh Chord
Dissonant Seventh
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
formal functions analysis
Heinrich Schenker
hypermeter
Hypermetric Downbeat
Hypermetric Organization
Middleground Graph
motivic development
motivic structure studies
Mozart's Piano Sonata
Mozart’s Piano Sonata
multi-level phrase rhythm analysis
music theory
musical analysis
Original Pitch Level
Perfect Authentic Cadence
Phrase Expansion
phrase rhythm
Piano Sonata
Piano Sonata Op
pitch class
Primary Tone
Rounded Binary
schenkerian analysis
schenkerian theory
structural analysis music
Subdominant Harmony
tonal hierarchy
tonal music
Tonic Harmony
Voice Exchange
Young Man
Young Miller

Product details

  • ISBN 9781138319479
  • Weight: 1320g
  • Dimensions: 210 x 280mm
  • Publication Date: 26 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive and Form, Second Edition is a textbook directed at all those—whether beginners or more advanced students—interested in gaining understanding of and facility at applying Schenker’s ideas on musical structure. It begins with an overview of Schenker’s approach to music, and then progresses systematically from the phrase and its various combinations to longer and more complex works. Unlike other texts on this subject, Schenkerian Analysis combines the study of multi-level pitch organization with that of phrase rhythm (the interaction of phrase and hypermeter), motivic repetition at different structural levels, and form. It also contains analytic graphs of several extended movements, separate works, and songs. A separate instructor’s manual provides additional advice and solutions (graphs) of all recommended assignments.

This second edition has been revised to make the early chapters more accessible and to improve the pedagogical effectiveness of the book as a whole. Changes in musical examples have been carefully made to ensure that each example fully supports student learning. Informed by decades of teaching experience, this book provides a clear and comprehensive guide to Schenker’s theories and their applications.

David Beach has taught music theory for over forty years at Yale University, the Eastman School of Music (University of Rochester), and at the Faculty of Music, University of Toronto. He is currently retired, living in northern California.

More from this author