abstract art analysis
Au Clair De La Lune
Audio Visual Synchronism
avant-garde music theory
blaue
Blue Rider
Breaking Water
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der
early twentieth-century artistic innovation
Edith Piaf
encounter
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expressionist aesthetics
Form Aba
forms
Galerie Im Lenbachhaus
george
George Songs
Haags Gemeentemuseum
Habe Ich Mich
Hanging Gardens
historic
interdisciplinary modernism
Internal Counterpoint
La Valse
Nikolai Kulbin
Objec Tive
Piano Pieces Op
Pierrot Figure
Pierrot Lunaire
reiter
Richard Dehmel
Richard Gerstl
Sad Clown
song
stefan
Subjective Expression
synaesthesia in art
twelve-tone composition
white
White Form
Yellow Sound
Young Man
Product details
- ISBN 9789057020476
- Weight: 660g
- Dimensions: 156 x 234mm
- Publication Date: 06 May 1998
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Paperback
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The historic encounter around 1911 between the composer Arnold Schönberg and the painter Wassily Kandinsky occurred at a moment when the first wild revolts against traditional art, Dada and Futurism, had just manifested themselves. Independently of those sometimes spectacular activities, both Schönberg and Kandinsky had already concluded that the material and the compositional methods they had relied on in the past were exhausted and did not satisfy the development of their artistic ideas. Both artists had already submitted their modes of production to a critical analysis which resulted in Schonberg's Theory of Harmony and Kandinsky's Concerning the Spiritual in Art , both of 1911 - indeed the two artists had already been putting their self-criticism into practice for some time. In Schönberg's case this led to breaking with tonality; Kandinsky effected the transition to abstract painting. This book is a collection of the papers presented at the conference on Schönberg and Kandin
