Science and Spectacle in the European Enlightenment

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A01=Bernadette Bensaude-Vincent
Affiches De Paris
Amusing Physics
Anatomical Cabinet
Author_Bernadette Bensaude-Vincent
Birmingham Central Library
boulevard
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chemistry
Chemistry Courses
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De Physique
Dephlogisticated Air
Eighteenth Century Paris
eighteenth-century technology
electrical
Enlightenment scientific entertainment
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experimental
experimental physics Europe
Frederik Ruysch
Inflammable Air
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jar
Journal De Paris
Journal De Physique
leyden
Leyden Jar
machine
Maisons Alfort
MIT Press
Montgolfier Brothers
natural
natural philosophy history
philosophy
pneumatic
Pneumatic Chemistry
Popular Theatre Troupes
popularisation of science
public science demonstrations
scientific instruments culture
Tom Wedgwood
Veterinary School
Wax Anatomical Models
Young Man

Product details

  • ISBN 9781138245792
  • Weight: 330g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Sep 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Air-pumps, electrical machines, colliding ivory balls, coloured sparks, mechanical planetariums, magic mirrors, hot-air balloons - these are just a sample of the devices displayed in public demonstrations of science in the eighteenth century. Public and private demonstrations of natural philosophy in Europe then differed vastly from today's unadorned and anonymous laboratory experiments. Science was cultivated for a variety of purposes in many different places; scientific instruments were built and used for investigative and didactic experiments as well as for entertainment and popular shows. Between the culture of curiosities which characterized the seventeenth century and the distinction between academic and popular science that gradually emerged in the nineteenth, the eighteenth century was a period when scientific activities took place in a variety of sites, ranging from academies, and learned societies to salons and popular fairs, shops and streets. This collection of case studies describing public demonstrations in Britain, Germany, Italy and France exemplifies the wide variety of settings for scientific activities in the European Enlightenment. Filled with sparks and smells, the essays raise broader issues about the ways in which modern science established its legitimacy and social acceptability. They point to two major features of the cultures of science in the eighteenth-century: entertainment and utility. Experimental demonstrations were attended by apothecaries and craftsmen for vocational purposes. At the same time, they had to fit in with the taste of both polite society and market culture. Public demonstrations were a favourite entertainment for ladies and gentlemen and a profitable activity for instrument makers and booksellers.
Bernadette Bensaude-Vincent is Professor of History and Philosophy of Science at the Université Paris-X Nanterre, France. Christine Blondel is Researcher at CNRS, Paris, France

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