Science and Visual Culture in Great Britain in the Long Nineteenth Century

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animal motion studies
art and zoology intersection
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B01=Diana Donald
Category1=Non-Fiction
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museum display practices
natural history education
Nineteenth Century
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Science and Visual Culture
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taxidermy techniques
Victorian scientific illustration
Victorian zoology
visual communication of scientific knowledge

Product details

  • ISBN 9780367620776
  • Weight: 1260g
  • Dimensions: 156 x 234mm
  • Publication Date: 07 Oct 2024
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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This volume is an edited collection of primary sources which throw light on the interplay between zoology and visual culture in nineteenth-century Britain. A great extension of knowledge of the natural world in the Victorian era was accompanied by a flowering of new forms of scientific illustration, which ranged from prints and taxidermy to dioramas and early photography. The notion of ‘survival of the fittest’ inspired imaginative artists such as Landseer, who expressively pictured animals’ strife and suffering in the wild. At the same time, however, wild nature was presented as a thing of beauty, especially in decorative designs featuring birds in natural settings – often influenced by Japanese art. Finally, the book exemplifies the Victorians’ strategies for communicating new scientific knowledge visually to the lay public, whether in museum displays, zoos, aquaria, popular publications or illustrated lectures that combined education with entertainment. This title will be of great interest to students of the History of Science and Art History.

Professor Diana Donald, previously Head of the Department of History of Art and Design at Manchester Metropolitan University; now retired and an independent scholar.