Science Fiction After 1900

Regular price €50.99
Quantity:
Ships in 10-20 days
Delivery/Collection within 10-20 working days
Shipping & Delivery
A01=Brooks Landon
aldiss
American Sf
Author_Brooks Landon
brian
Brian Aldiss
Category=DS
Category=DSBH
Category=DSK
Category=FL
Crab Nebula
cultural impact of sf
Cyberpunk Writers
Dangerous Visions
Dime Novels
encyclopedia
eq_bestseller
eq_biography-true-stories
eq_fiction
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science-fiction
feminist
Feminist Sf
Forster's Story
Genre Sf
genre theory
guin
Heat Death
joanna
literary criticism
Machine Stops
Master's Voice
narrative analysis
norman
Norman Spinrad
Olaf Stapledon
Olduvai Gorge
Roadside Picnic
russ
Science Fiction
science fiction genre development
Sf Reader
Sf Story
Sf Writer
speculative fiction studies
spinrad
Starship Troopers
Strugatsky Brothers
Tom Swift
twentieth century literature
Twentieth Century Science Fiction
Twentieth Century Sf
writers

Product details

  • ISBN 9780415938884
  • Weight: 530g
  • Dimensions: 138 x 216mm
  • Publication Date: 11 Oct 2002
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
Secure checkout Fast Shipping Easy returns
First published in 2003. Brooks Landon analyses science fiction not as a set of rules for writers, but as a set of expectations for readers. He presents science fiction as a social phenomenon that moves beyond literary experience through a sense of mission based on the belief that SF can be a tool to help you think. He offers a broad overview of the genre and the stages through which it has developed in the twentieth century from the dime store novel through the New Wave of the '60s, the cyberpunk '80s, and soft agenda SF of the '90s. The writers he examines range for E. M. Forster and John W. Campbell to Philip K. Dick and Ursula K. Le Guin. He also examines the large body of criticism now devoted to the genre and includes a bibliographic essay and a list of recommended titles.

Brooks Landon is Professor of English at the University of Iowa. He is the author of Thomas Berger and TheAesthetics of Ambivalence:Rethinking Science Fiction Filmin the Age of Electronic (Re) Production.

More from this author