Science Fiction Film, Television, and Adaptation

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adaptation challenges in visual media
Captain Video
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CGI Effect
cinematic storytelling techniques
cross-media adaptation
Deep Space
Domed City
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Fan Films
Female Cyborg
Film
genre theory analysis
Logan's Run
Logan’s Run
Long Shots
Main Characters
Maple Street
media convergence studies
Mountain City
NBC.
Original Star Trek Series
Original Star Wars
Original Television Series
Phantom Edit
Phantom Strikes
Science Fiction
Sf Cinema
Sf Series
Star Trek
Star Trek Film
Stargate SG-1
Television
television narrative structures
Television Series
transmedia science fiction
Tv Version
Wagon Train

Product details

  • ISBN 9780415743839
  • Weight: 340g
  • Dimensions: 152 x 229mm
  • Publication Date: 08 Nov 2013
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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While film and television seem to be closely allied screen media, our feature films and television series have seldom been successfully adapted across those screens. In fact, rather than functioning as portals, those allied media often seem, quite literally, screens that filter out something that made the source work so popular in its original form. Differences in budget, running times, cast, viewing habits, screen size and shape all come into play, and this volume’s aim is to track a number of popular texts in the course of their adaptive journeys across the screens in order to sketch the workings of that cross-media adaptation. For its specific examples, the volume draws on a single genre—science fiction—not only because it is one of the most popular today in either film or television, but also because it is arguably the most self-conscious of contemporary genres, and thus one that most obviously frames the terms of these technological adaptations. The essays included here mine that reflexive character, in both highly successful and in failed efforts at cross-media adaption, to help us understand what film and television achieve in screening science fiction, and to reveal some of the key issues involved in all of our efforts to navigate the various screens that have become part of contemporary culture.

J. P. Telotte is a professor of literature, communication, and culture at Georgia Tech. Co-editor of the journal Post Script, he has published widely on film and television studies. His most recent books are The Mouse Machine: Disney and Technology, The Essential Science Fiction Television Reader, and Animating Space. Gerald Duchovnay is professor of English and film at Texas A&M University-Commerce.