Science Meets Art

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A01=John Potts
A01=Nigel Helyer
art science collaboration
art-science works
artist residencies
Artist's Residencies
Artist’s Residencies
Author_John Potts
Author_Nigel Helyer
Category=AB
Category=JNU
Category=PD
Category=PS
Ceo's Business
Ceo’s Business
climate change science
colonial insects
Contact Microphone
contemporary art scientific partnerships
data sonification
data visualization techniques
data-visualisation
DNA Codon
DPA
ecological aesthetics
Energy Sources
enlightenment science
environmental art practices
environmental artworks
Environmental Portrait
Environmental Science
environmentalism
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_science
eq_society-politics
Follow
genemusik
heavy metal
Held
ICAD
Instituto De Medicina Molecular
interactive digital media
interactive environment
interdisciplinary research methods
Jacquard Loom
Lighthouses
Psi
renaissance art-science
romantic art-science
Rural NSW
scientific communication strategies
Shoalhaven River
sound art
Southern Elephant Seal
Unfinished Painting
Unstable
waterworks
X-ray Fluorescence Machine

Product details

  • ISBN 9789814968164
  • Weight: 720g
  • Dimensions: 152 x 229mm
  • Publication Date: 14 Jul 2022
  • Publisher: Jenny Stanford Publishing
  • Publication City/Country: SG
  • Product Form: Hardback
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This book explores collaboration between artists and scientists and examines the ways in which scientific data and research findings can be communicated, translated and transformed using the techniques of contemporary art and information technology. Contemporary art forms—including installation, sculpture, painting, computer-based art, Internet art and interactive electronic artworks—are able to provide new and creative outlets, with expanded audiences, for scientific research.

The book, which features 75 illustrations of works created as a result of art–science collaboration between scientists and artists, is important in the field because it presents a thorough account of the collaboration through the eyes of a leading creative practitioner and a leading cultural theorist. It contains a wide range of in-detail examples of successful collaborative works that illustrate the breadth and depth of contemporary interdisciplinary creative-research approaches.

John Potts is a professor of media and director of the Centre for Media History at Macquarie University, Australia. He has published widely in culture and technology, digital media, media history, contemporary arts and intellectual history. Prof. Potts has authored or edited 12 books, including The New Time and Space, A History of Charisma, Ideas in Time, Use and Reuse of the Digital Archive and The Future of Writing.

Nigel Helyer is a sculptor and sound artist whose work links art and science in a strong embrace of the environment, identity and cultural history. He has an international reputation for his large-scale public artworks, sound sculptures, environmental projects and interactive installations that prompt the community to engage with their cultural histories, identity and sense of place, inviting us to examine the abstract conditions of our world and our complex relationships with it.

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