Science Of Acting

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A01=Helen Kogan
A01=Sam Kogan
Acquired Tensions
actor training methods
American Buffalo
Author_Helen Kogan
Author_Sam Kogan
Birthday
Category=AB
Category=ATDC
character development techniques
Character's Thoughts
characters
Character’s Thoughts
Cup
CVT
data
Egotistical Purposes
emerging
Emerging Awareness
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Fairy Tale
Follow
Hindsight
Holding
invisible
Invisible Thought
Long Term Purposes
Mars Bar
Mozart
neuroscience of performance creation
Ok
performance psychology
practical acting exercises
sense
Shame Event
Short Term Purpose
Slightly
Stanislavski system analysis
Strong
subconscious processes in theatre
thinking
thought
thoughts
unfinished
Unfinished Thoughts
Vice Versa
visible
Visible Thought
Wo

Product details

  • ISBN 9780415488112
  • Weight: 476g
  • Dimensions: 138 x 216mm
  • Publication Date: 24 Aug 2009
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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What is good acting? How does one create believable characters? How can an actor understand a character if they do not understand themselves?

In The Science of Acting, Sam Kogan uses his theories on the relationship between neuroscience, psychology and acting to answer these questions. Practical exercises provide a step-by-step guide to developing an actor's ability, culminating in Ten Steps to Creating a Character.

He presents the reader with a groundbreaking understanding of the subconscious and how it can be applied to their acting. The author’s highly original perspective on Stanislavski's teaching gives readers a unique insight into their character’s minds.

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.

Sam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique.

Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book.

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