Scientia artis musice of Hélie Salomon: Teaching Music in the Late Thirteenth Century

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A01=Joseph Dyer
Ambrosiana Manuscript
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Diplomatic Copy
Eighth Tone
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Fourth Tone
Gloria Patri
Gregorian chant pedagogy
Haec Dies Quam Fecit Dominus
Helie Salomon
Hexachord Syllables
Inter Cetera
Johannes De Garlandia
Johannes De Muris
liturgical chant notation
medieval music theory
medieval vocal pedagogy treatise
modal systems analysis
music education history
Music Theory Treatise
polyphonic singing instruction
Pope Alexander III
Pope Gregory X
Psalm Tone
Salomon Family
Scientia Artis Musice
Seventh Tone
Sixth Tone
Solmization Syllable
Summa Musice
Tonus Peregrinus
treatise
Vice Versa
Young Man

Product details

  • ISBN 9781032241937
  • Weight: 600g
  • Dimensions: 156 x 234mm
  • Publication Date: 13 Dec 2021
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Hélie Salomon’s Scientia artis musice (1274), is a practical manual devoted to basic concepts, psalmody, vocal pedagogy, the musical hand in singing, clefs as indicators of the tone (mode) to which a piece belongs, and practical instruction in the singing of four-voice parallel organum. Joseph Dyer presents the first, much-needed, modern edition of Salomon’s treatise, accompanied by a full English translation, comprehensive introduction and commentary. This edition corrects errors in the 1784 edition of Martin Gerbert, includes the music of chants omitted by Gerbert from the tonary, and makes available reproductions in colour of the eight illustrations in the treatise.

Joseph Dyer taught music history at the University of Massachusetts Boston until his retirement in 2001. He has published about a hundred articles, book chapters, and encyclopedia entries on topics relating to the chant and liturgy of Late Antiquity and the Middle Ages (especially Rome), psalmody, monasticism, performance practice, medieval music theory, and music in the intellectual life of the Middle Ages. He is an Associate of the American Guild of Organists and a Fellow of the Royal School of Church Music.

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