Scoring the Hollywood Actor in the 1950s

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A01=Gregory Camp
Author_Gregory Camp
Belle Reve
Category=ATD
Category=AV
Category=AVL
Cinematic performances
Dean's Performance
Dean’s Performance
Dimitri Tiomkin
Doris Day
Driving Scenes
Driving Sequence
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eq_isMigrated=2
eq_music
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Ethel Waters
Film music
Gentlemen Prefer Blondes
Gogh
Herrmann's Music
Herrmann’s Music
Hollywood film
James Dean
Leonard Rosenman
Long Shot
Magical Negro
Magnificent Obsession
Montgomery Clift
North's Score
North’s Score
Semiotic Square
Sirk's Films
Sirk’s Films
Streetcar Named Desire
Temporal vector
Vice Versa
Vincent Van Gogh
Vincente Minnelli
Wild Man
Wild River
Young Man

Product details

  • ISBN 9780367674779
  • Weight: 353g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Aug 2022
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Paperback
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Scoring the Hollywood Actor in the 1950s theorises the connections between film acting and film music using the films of the 1950s as case studies.

Closely examining performances of such actors as James Dean, Montgomery Clift, and Marilyn Monroe, and films of directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this volume provides a comprehensive view of how screen performance has been musicalised, including examination of the role of music in relation to the creation of cinematic performances and the perception of an actor’s performance. The book also explores the idea of music as a temporal vector which mirrors the temporal vector of actors’ voices and movements, ultimately demonstrating how acting and music go together to create a forward axis of time in the films of the 1950s.

This is a valuable resource for scholars and researchers of musicology, film music and film studies more generally.

Gregory Camp is a Senior Lecturer at the University of Auckland School of Music, New Zealand.

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