Scoring the Score

Regular price €179.80
A01=Ian Sapiro
advanced orchestration techniques in film
arranging
Author_Ian Sapiro
Category=ATF
Category=AV
Category=AVL
Category=AVX
composer collaboration
Contemporary Film Industry
Contemporary Industry
creative process in music
Dario Marianelli
Elliot Goldenthal
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
film composers
film music
Film Music Industry
Film Music Literature
Film Production Team
Film Score Orchestration
film scoring
Gabriel Yared
Hybrid Score
ian sapiro
Jeff Atmajian
Lead Orchestrator
Mf Mp
Midi File
Midi Files
Midi Sequence
music editor
Music Editors
music production workflow
Music Publishing Software
music technology
orchestration
orchestrator
Orchestrator's Role
Orchestrator’s Role
Playback
post-production
professional music training
Professional Orchestrators
Raw Midi
Recording Venues
routledge
score analysis
Scoring Stage
UK film industry
US film industry

Product details

  • ISBN 9780415723220
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 10 Nov 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Scoring the Score is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators.

Drawing on interviews with American and British orchestrators and composers, Scoring the Score aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.

Ian Sapiro is Lecturer in Music at the University of Leeds.