Scoring the Screen

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A01=Andy Hill
Author_Andy Hill
Category=ATF
Category=AVLM
Category=AVSD
commercial music
composition
Disney Renaissance
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_new_release
eq_nobargain
eq_non-fiction
film scoring
Hans Zimmer
Hollywood
interactive media
John Williams
motion pictures
music
music analysis
music industry
music theory
television
video games

Product details

  • ISBN 9781538163474
  • Dimensions: 152 x 229mm
  • Publication Date: 14 May 2026
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
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This widely acclaimed book enables readers to understand and practice the language of music composed for film, video games, and other visual media.

Film and television music veteran Andy Hill offers an insider’s view of what goes into the creation of the musical score for major motion pictures and other works of screen entertainment, including video games. This unique text provides deeply informed, measure-by-measure analysis of highly detailed reductions of music cues from more than two dozen films composed by the top composers, among them Howard Shore, Danny Elfman, Ennio Morricone, and Bernard Herrmann, as well as trailblazers of today.

New chapters in the second edition tackle:
- Howard Shore’s Lord of the Rings: The Two Towers
- The Music of the Disney Renaissance, featuring analyses of Beauty and the Beast, Aladdin, and The Lion King
- Women in film music, featuring interviews with Rachel Portman, Pinar Toprak, Natalie Holt, and Stephanie Economou
- Adaptive music for games, featuring analyses of game scores by Austin Wintory (Journey and Abzu), Garry Schyman (Bioshock), and Mikolai Stroinski (The Witcher)

Hill’s powerful insights informed by music theory and the scenes of composition, as well as first-hand input from many of the artists themselves, enables readers to witness the composition of the score from the first motive to the last bar. This indispensable resource provides a close-up look at the musical conventions and tricks-of-the-trade that composers use to express the full range of human (and sometimes non-human) experience, allowing music students, practicing composers, and aficionados of the craft to better understand and hone its power.

Andy Hill is a veteran of the film and television music industry, former Vice-President of Music Production for Walt Disney Studios, Grammy Award-winning music producer, founder of the MFA program in Music Composition for the Screen at Columbia College Chicago, USA, and author of five published novels of speculative fiction. Films for which he served as executive in charge of music production have earned nine Academy Awards in music categories. He has served as Dean of the Film Scoring Academy of Europe, Bulgaria, since 2019.

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