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Scotland, CEMA and the Arts Council, 1919-1967
Scotland, CEMA and the Arts Council, 1919-1967
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A01=Euan McArthur
Aberdeen Art Gallery
academy
archival research Scotland
Arts Council
arts funding policy
Author_Euan McArthur
British devolution
Carnegie UK Trust
Category=AB
Category=ABA
Category=ABQ
Category=AGA
Category=CB
Category=N
CEMA
committee
cultural nationalism
Edinburgh College
eq_art-fashion-photography
eq_bestseller
eq_dictionaries-language-reference
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
formula
Glasgow Universities
goschen
Goschen Formula
James Welsh
Mary Glasgow
nas
National Youth Committee
nls
office
Pilgrim Trust
postwar cultural institutions
Regional Arts Associations
royal
Royal Scottish Academy
scottish
Scottish Artists
Scottish Arts Council
Scottish arts policy evolution
Scottish Branch
Scottish Committee
Scottish Film Council
Scottish Grand Committee
Scottish National Orchestra
Scottish National Party
SED
Visual Art Policy
visual arts administration
welsh
Welsh Committee
Young Man
Product details
- ISBN 9781409431602
- Weight: 612g
- Dimensions: 156 x 234mm
- Publication Date: 03 May 2013
- Publisher: Taylor & Francis Ltd
- Publication City/Country: GB
- Product Form: Hardback
A case study of the relationship between arts and cultural policy and nationalism, Scotland, CEMA and the Arts Council, 1919-1967: Background, Politics and Visual Art Policy examines the overlooked significance of Scotland in the development of British arts policy and institutions. This study is broadly relevant in an era of political devolution, which continues to pose questions for the constituent nations of Britain and their sense of self- and collective identities. Euan McArthur provides a clear account of the background to and evolution of the Council for the Encouragement of Music and the Arts (CEMA) and the Arts Council of Great Britain (ACGB) in Scotland up to the formation of the Scottish Arts Council (SAC) in 1967. He also presents a study of Scottish visual art policy and activities between 1940 and 1967, assessing the successes and failures of visual art policy in Scotland, including the degree to which it evolved differently from England. This development, leading to the re-naming of the Scottish Committee of the ACGB as the SAC, prepared the way for the expansion of activities that marked the 1970s and after. Based on extensive archival research, this book brings to light previously unavailable material, not covered in existing accounts of CEMA/ACGB.
Euan McArthur is Senior Lecturer in Critical and Contextual Studies, Art and Media, Duncan of Jordanstone College of Art and Design, University of Dundee, UK.
Scotland, CEMA and the Arts Council, 1919-1967
€210.80
