Scottish Dance Beyond 1805

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A01=Patricia Ballantyne
Author_Patricia Ballantyne
Ball Room
Cape Breton
Category=ATQ
Category=AVL
Ceilidh Band
Ceilidh Dancing
contemporary Highland dance
cultural transmission
dance pedagogy
Dance Pipers
Dance Teaching
Dance Teaching Practice
Dance Teaching Profession
Dancing Master
English Folk Dance Society
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
ethnochoreology
evolution of Highland dance practices
Highland Dancing
Highland Fling
Highland Reels
Home Town
Itinerant Teachers
Mid Air
North East Scotland
Official Board
percussive step dance
Professional Development
regulatory societies
Scotch Reel
Scottish Country
Scottish Country Dancing
Scottish dance
Scottish traditional music
traditional musicology
United Kingdom Alliance
Young Man

Product details

  • ISBN 9781138358775
  • Weight: 453g
  • Dimensions: 156 x 234mm
  • Publication Date: 09 Dec 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Scottish Dance Beyond 1805 presents a history of Scottish music and dance over the last 200 years, with a focus on sources originating in Aberdeenshire, when steps could be adapted in any way the dancer pleased. The book explains the major changes in the way that dance was taught and performed by chronicling the shift from individual dancing masters to professional, licensed members of regulatory societies. This ethnographical study assesses how dances such as the Highland Fling have been altered and how standardisation has affected contemporary Highland dance and music, by examining the experience of dancers and pipers. It considers reactions to regulation and standardisation through the introduction to Scotland of percussive step dance and caller-facilitated ceilidh dancing.

Today’s Highland dancing is a standardised and international form of dance. This book tells the story of what changed over the last 200 years and why. It unfolds through a series of colourful characters, through the dances they taught and the music they danced to and through the story of one dance in particular, the Highland Fling. It considers how Scottish dance reflected changes in Scottish society and culture.

The book will be of interest to scholars and postgraduates in the fields of Dance History, Ethnomusicology, Ethnochoreology, Ethnology and Folklore, Cultural History, Scottish Studies and Scottish Traditional Music as well as to teachers, judges and practitioners of Highland dancing and to those interested in the history of Scottish dance, music and culture.

Patricia H. Ballantyne is an Honorary Research Associate with the University of Aberdeen at the Elphinstone Institute, the University’s Centre for the study of Ethnology, Folklore and Ethnomusicology.

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