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A01=Eleanor Johnson
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Author_Eleanor Johnson
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classic horror movies
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demi more
dobbs
domestic horror
domestic sphere horror
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Equal Rights Amendment
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film analysis
film bro
final girl
gender in horror
gift idea
Halloween
horror and feminism
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patriarchal oppression in horror
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Rosemary's Baby
supernatural horror
The Exorcist
The Omen
The Shining
The Stepford Wives
the substance
women in horror
women's rights in horror
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Product details
- ISBN 9781668087633
- Weight: 497g
- Dimensions: 152 x 229mm
- Publication Date: 23 Oct 2025
- Publisher: Atria Books
- Publication City/Country: US
- Product Form: Hardback
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A LOS ANGELES TIMES MOST ANTICIPATED BOOK OF 2025
A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.
In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden epiphany: horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream.
With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.
While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.
A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.
In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden epiphany: horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream.
With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives.
While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.
Eleanor Johnson is a professor of English and comparative literature at Columbia University. She is the author of four books: Scream with Me, Practicing Literary Theory in the Middle Ages, Staging Contemplation, and the award-winning Waste and the Wasters, as well as two collections of poetry, The Dwell and Her Many Feathered Bones.
