Screamfeeder's Kitten Licks

Regular price €72.99
1990s
A01=Ben Green
A01=Dr. Ben Green
A01=Dr. Ian Rogers
A01=Ian Rogers
Age Group_Uncategorized
Age Group_Uncategorized
alt-rock
alternative
Australian
Author_Ben Green
Author_Dr. Ben Green
Author_Dr. Ian Rogers
Author_Ian Rogers
automatic-update
Brisbane
Category1=Non-Fiction
Category=AVC
Category=AVGP
Category=AVH
Category=AVP
challenge
COP=United States
Delivery_Pre-order
difficulty
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
independent
indie
Language_English
making it
PA=Not yet available
Price_€50 to €100
PS=Forthcoming
softlaunch
struggling musician

Product details

  • ISBN 9781501393280
  • Weight: 260g
  • Dimensions: 130 x 206mm
  • Publication Date: 08 Feb 2024
  • Publisher: Bloomsbury Publishing Plc
  • Publication City/Country: US
  • Product Form: Hardback
  • Language: English
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Released in 1996, Kitten Licks catapulted Brisbane indie-rock three-piece Screamfeeder into the '90s alternative-rock boom alongside Powderfinger, silverchair, You Am I and Regurgitator. International tours, regular festival shows, and TV appearances followed. And yet, commercial success for Screamfeeder was comparatively short-lived. By the end of the decade, the band’s outlook was bleak: at a career standstill and unable to record new music. Today, both Screamfeeder and Kitten Licks endure as fiercely loved cult icons. In its vitality and idiosyncrasy, Kitten Licks captures a moment of cresting change for a band, a city and a national scene, while continuing to delight and inspire those who discover it anew.

This book tells the story of Kitten Licks in the words of those who lived it, and who still do. How it was made, how it was swept up into '90s mythology and what the journey tells us about the fickle nature of music production in Australia, namely: how to survive it.

Ben Green is a research fellow at Griffith University, Australia. He is the author of Peak Music Experiences: A New Perspective on Popular Music, Identity and Scenes (2021) and co-editor of Popular Music Scenes: Regional and Rural Perspectives (2023).

Ian Rogers
is a senior lecturer at RMIT University, Australia. A popular music studies scholar, he is the author of Popular Music Scenes and Cultural Memory (with Andy Bennett, 2016).