Screening Characters

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acting
AFI
American Film Institute
Animated Characters
audiences
Audio Visual Display
Breaking Bad
Category=ATC
Category=ATF
Category=JBCT
Category=QDTN
CBS Television Studio
celebrity studies
character engagement
Charles Wolfe
cinema studies
cognitive film studies
Cognitive Film Theory
Cognitive Fluency
Crime Scene Investigation
CSI Team
Edward Branigan
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
film studies
film theory
genre
Grenzen Der Malerei Und Poesie
Howl's Moving Castle
Howl’s Moving Castle
interactive media
Lucky Strike
Magic Users
media representation
Medium Specific Features
Midsomer Murders
Moral Disgust
moral psychology in screen narratives
narrative analysis
Perceive Action Possibilities
performance
philosophy of film
Screen Fictions
Screen Stories
Serialize Tv Drama
social identity in media
Star Persona
Sweet Sweetback's Baadasssss Song
Sweet Sweetback’s Baadasssss Song
television
television studies
Transmedia Narratives
Tv Character
video games
Young Men

Product details

  • ISBN 9781138391826
  • Weight: 453g
  • Dimensions: 152 x 229mm
  • Publication Date: 12 Mar 2019
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
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Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions are organized around a series of important subjects, including issues of class, race, ethics, and generic types as they are encountered in moving image media. These topics, in turn, are personified by such memorable figures as Cary Grant, Jon Hamm, Audrey Hepburn, and Seul-gi Kim, in addition to avatars, online personalities, animated characters, and the ensembles of shows such as The Sopranos, Mad Men, and Breaking Bad.

Johannes Riis is an Associate Professor of Film Studies at the University of Copenhagen. He has published extensively on issues of film acting, including a monograph (Spillets kunst: Følelser i film); articles in numerous journals and anthologies, including Cinema Journal, Projections, and The Routledge Companion to Philosophy and Film. A member of the Board of Directors at The Society for Cognitive Studies of the Moving Image since 2005, he is currently writing a book on film acting styles between 1920 and 1980.

Aaron Taylor is an Associate Professor of New Media and a Board of Governors Research Chair (2019-2023) at the University of Lethbridge. He is the editor of Theorizing Film Acting, and his essays on performance have been published in numerous journals and anthologies, including Cinema Journal, Velvet Light Trap, [in]Transition, Quarterly Review of Film and Video, The Journal of Film and Video, Close-Up: Great Cinematic Performances Vol. 2, Make Ours Marvel, Millennial Masculinity, Acting and Performance in Moving Image Culture, and Stages of Reality.