Screening Songs in Hispanic and Lusophone Cinema

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A32=Ann Davies
A32=Anthony Melo
A32=David Garcia
A32=Dr. Ian Biddle
A32=Peter William Evans
A32=Santiago Fouz-Hernandez
A32=Tatiana Signorelli Heise
Afro-Cuban song
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B01=Lisa Shaw
B01=Rob Stone
B01=Robert Stone
Basque songs
British punk music
Carmen
Category1=Non-Fiction
Category=APF
Category=ATF
Category=AV
Category=AVLM
COP=United Kingdom
corrosive humour
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democratic era
dictatorship era
eq_art-fashion-photography
eq_bestseller
eq_isMigrated=2
eq_music
eq_nobargain
eq_non-fiction
Gypsy songs
Hispanic diaspora
hybridity
immigration cinema
Imperio Argentina
la de Triana
Language_English
Mexican cinema
migration
mobile soundscapes
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Price_€50 to €100
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social hierarchies
softlaunch
Spanish cinema
transgendered protagonists
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Product details

  • ISBN 9780719083808
  • Dimensions: 156 x 234mm
  • Publication Date: 30 May 2012
  • Publisher: Manchester University Press
  • Publication City/Country: GB
  • Product Form: Hardback
  • Language: English
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In this volume, eighteen experts from a variety of academic backgrounds explore the use of songs in films from the Spanish- and Portuguese-speaking worlds. This volume illustrates how – rather than simply helping to tell the story of – songs in Hispanic and Lusophone cinema commonly upset the hierarchy of the visual over the aural, thereby rendering their hearing a complex and rich subject for analysis.

Screening songs... constitutes a ground-breaking, interdisciplinary collection. Of particular interest to scholars and academics in the areas of Film Studies, Hispanic Studies, Lusophone Studies and Musicology, this volume opens up the study of Hispanic and Lusophone cinema to vital, new, critical approaches. The soundtracks of films as varied as City of God, All About My Mother, Bad Education and Buena Vista Social Club are analysed alongside those of lesser-known works that range from the melodramas of Mexican cinema’s golden age to Brazilian and Portuguese musical comedies from the 1940s and 1950s. Fiction films are studied alongside documentaries, the work of established directors like Pedro Almodóvar, Carlos Saura and Nelson Pereira dos Santos alongside that of emerging filmmakers, and performances by iconic stars like Caetano Veloso and Chavela Vargas alongside the songs of Spanish Gypsy groups, Mexican folk songs and contemporary Brazilian rap.

Lisa Shaw is Reader in Portuguese and Brazilian Studies in the School of Cultures, Languages and Area Studies at the University of Liverpool|Rob Stone is Professor of Film and Hispanic Studies in the College of Arts and Humanities at Swansea University