Screening the Male

Regular price €192.20
Quantity:
In stock with our UK publisher. 14-28 days
Delivery/Collection within 10-20 working days
14 days return policy Shipping & Delivery
Alley Cat
Ape Man
Astaire
Black Male Representation
Black Masculine
body
Category=ATFA
Category=JBCT
Category=JBSF11
Category=NH
cinematic passivity
clint
dead
Dead Ringers
Die Hard Films
eastwood
eq_art-fashion-photography
eq_bestseller
eq_history
eq_isMigrated=1
eq_isMigrated=2
eq_nobargain
eq_non-fiction
eq_society-politics
Feminist Film Theory
film gender studies
fred
Fred Astaire
gendered spectatorship
Girl Friend
Grand Theft Auto
Heterosexual Male Spectators
Key Characterization
laura
male embodiment in Hollywood narratives
Male Spectator
Maria Ouspen Skaya
masculinity representation
Multiple Masquerade
mulvey
Mulvey's Article
Mulvey’s Article
Play Misty
post-World War Ii Film
psychoanalytic film theory
racial identity in cinema
Rape Revenge Films
ringer
Seth Brundle
Shot Liberty Valance
spectator
Tango Teas
Womb Envy
Young Man

Product details

  • ISBN 9781138169517
  • Weight: 544g
  • Dimensions: 156 x 234mm
  • Publication Date: 01 Feb 2016
  • Publisher: Taylor & Francis Ltd
  • Publication City/Country: GB
  • Product Form: Hardback
Secure checkout Fast Shipping Easy returns

Screening the male re-examines the problematic status of masculinity both in Hollywood cinema and feminist film theory.
Classical Hollywood cinema has been theoretically established as a vast pleasure machine, manufacturing an idealized viewer through its phallocentric ideological apparatus. Feminist criticism has shown how difficult it is for the female viewer to resist becoming implicated in this representational system. But the theroies have overlooked the significance of the problem itself - of the masuline motivation at the core of the system. The essays here explore those male characters, spectators, and performers who occupy positions conventionally encoded as "feminine" in Hollywood narrative and questions just how secure that orthodox male position is.
Screening the Male brings together an impressive group of both established and emerging scholars from Britain, the United States and Australia unified by a concern with issues that film theorists have exclusively inked to the femninie and not the masculne: spectacle, masochism, passivity, masquerade and, most of all, the body as it signifies gendered, racial, class and generatonal differences.